波德莱尔作为“象征主义”诗人被中国新文学接受下来的历史事实既是需要辨析与澄清的学理错误，同时也是接受史研究的典型案例。波德莱尔的接受误差中蕴含了新文学进程的参与者对正在发生中的文学现实所怀有的构想与预期，即在本土语境中重构波德莱尔的形象，赋予他与法国原型所不同的“标签”，从而完成自身的文学成长和身份构建。这一“吸收/改写——成长”的模型是中国新文学进化史的重要表征与接受史研究的新视角。

This article aims to initiate a discussion for clarifying the theoretical base underpinning the treatment of Baudelaire as a symbolist poet in Chinese new literature, a typical case extensively documented in the field of reception history. After the identification of discrepancies between Baudelaire's original works and their internalization into Chinese new literature, it argues to attribute these discrepancies to the intent to redefine and refashion his works and, thereby, his image in China for developing local literature and constructing local identity. In the article we coin for this process of internalization an adaption-growth model, suggesting to take it as a new perspective for reception history research in addition to an important indicator of the evolution of Chinese new literature.