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• 中国特色文论话语体系研究：言象意研究 •    下一篇

言-象-意：中国文化与美学中的独特话语

张法   

  1. 浙江师范大学人文学院
  • 出版日期:2018-11-25 发布日期:2019-03-24
  • 作者简介:张法，文学博士，浙江师范大学人文学院教授，主要从事美学与思想史研究。

Word-Image-Meaning: Unique Discourse in Chinese Culture and Aesthetics

Zhang Fa   

  1. the School of Humanities at Zhejiang Normal University
  • Online:2018-11-25 Published:2019-03-24
  • About author:Zhang Fa, Ph.D., is Professor in the School of Humanities at Zhejiang Normal University, and his research interests focus on aesthetics and history of thought.

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摘要： 中国文化的言象意理论中，象具有独特性。从《周易》哲学之象到美学的文学之象，言象意理论具有相互关联和各自独立的特征。美学的言象意理论从魏晋的基本形成到唐代在与佛教境的境理论的互动中，演进为境论，完成了言象意理论的美学转型，形成了言-境内之境（景-象-情-意）-境外之境（景外之景-象外之象-意外之意）的结构。

关键词: 言象意, 哲学之象, 美学之象, 境论

Abstract: Image is unique in the theory of word-image-meaning in Chinese culture. Word, Image and meaning are interconnect and at the same time autonomous whether in Zhouyi philosophy or aesthetics. The theory of word-image-meaning in aesthetics took form in the Wei and Jin Dynasties and evolved into the theory of "visay" in the Tang Dynasty because of its interaction with the Buddhist theory of visay, thus having completed its aesthetic turn and established the structure of "the visay within word-visay" (scene-image-affection-meaning) and "the visay beyond visay" (including scenery beyond scenery, image beyond image, and meaning beyond meaning. )

Key words: word-image-meaning, image in philosophy, image in aesthetics, visay