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• 中国特色文论话语体系研究:中外文论比较研究 • 上一篇    下一篇

从动物视角看“物化”中的道家情感论

胡素情   

  1. 湖南大学外国语学院
  • 出版日期:2018-03-25 发布日期:2018-10-19
  • 作者简介:胡素情,文学博士,湖南大学外国语学院副教授,主要从事英美文学、比较文学研究。
  • 基金资助:
    国家社科基金项目“18—19世纪英国文学中的‘动物同情书写’研究”[项目编号:13CWW036]的阶段性成果

The Affect Theory of Tao with "Wuhua" from an Animal Perspective

Hu Suqin   

  1. the School of Foreign Languages, Hunan University
  • Online:2018-03-25 Published:2018-10-19
  • About author:Hu Suqing, Ph.D., is an associate professor at the School of Foreign Languages, Hunan University. Her research interests cover American and British literature and comparative literature.
  • Supported by:
    the research program "Sympathy toward Animals in the 18-19th Century British Literature" [13CWW036], funded by the National Social Sciences Fund of China

摘要: 本文以动物为切入视角,从情状、身体和语言三方面探究“物化”中的动物书写及道家情感论。论文先从“物化”中确凿的物种间情感现象出发,在德勒兹等人的“生成-动物”和“情状”概念启示下探究“物化”中人与动物相互转化的哲学张力及情感动力,并以战国末期的气化宇宙论及“气情”说证明“物化”确实潜藏着人类-动物间的情感关联。其次,“物化”具有人向动物“生成”的具身性和操演性,交接之“气”则在人、物交接中形成了类似于情的空间氛围。从语言上看,“物化”体现了《庄子》以动物为媒介往返于语言分裂地带,从逻辑向诗性的感性言说,是人向自然转化的书写实践。概言之,动物为我们探究先秦道家情感论的生发及其自然走向提供了独特的观察视角;“物化”并非原始思维的活物论,而是《庄子》对理性思维的反拨,对个人情感的正视及其自然化处理的解决之道。

关键词: 《庄子》, 情状, 物化, 生成-动物,

Abstract: This article explores the affective, bodily and linguistic aspects of Tao's lyricism in the pre-Qin period from the perspective of human-animal relationship. Based on the human-animal affective bonds in wuhua, this article first proposes that the animal effects emotional changes in human beings in the light of Deleuze and Guattari's "becoming-animal" and the affect theory, which can also be firmly demonstrated by the "qi" and "qi-qing" cosmology in the Pre-Qin period. Then it argues that the human-animal bond of "wuhua" is embodied and performative, thus forming affective auras between the bodies. Viewed linguistically, the special position of the animal at the split boundary between language and pre-language can be used creatively to fight against meticulous and precise symbolization of language, and in doing so, Chuang Tzu is performing the becoming of animals himself through writing. In sum, the animal can help us to observe, in a unique way, how the incipient lyricism is formed and its interconnectedness with nature in the Pre-Qin period, and "wuhua" is not at all naive anthropomorphism, but an opposition to rational epistemology, a solution to personal emotional problems with the help of nature.

Key words: Zhuangzi, affect, wuhua, becoming-animal, qi