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文艺理论研究

文艺理论研究 ›› 2018, Vol. 38 ›› Issue (3): 179-192.

• 现当代文论与批评 • 上一篇    下一篇

“文字不如绘画”：直感经验与视觉成规——论《湘行书简》《湘行散记》中的语-图关系

刘泰然   

  1. 吉首大学文学与新闻传播学院
  • 出版日期:2018-05-25 发布日期:2018-10-19
  • 作者简介:刘泰然，博士，吉首大学文学与新闻传播学院副教授，主要研究领域为美学、艺术理论。

Intuitional Experience and Visual Regulation: On the Relationship between Language and Picture in Xiangxing Shujian and Xiangxing Sanji

Liu Tairan   

  1. the College of Literature and Journalism, Jishou University
  • Online:2018-05-25 Published:2018-10-19
  • About author:Liu Tairan, Ph.D., is Associate Professor in the College of Literature and Journalism, Jishou University, with research focus on aesthetics and art theory.

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摘要： 关于图像与文字的差异性和互补性的媒介意识贯穿于《湘行书简》和《湘行散记》两部作品的始终。对于沈从文而言，文字的遮蔽性更大于绘画，而绘画相对于他的直感经验而言，也是无力的。无论对于文字还是对于绘画，沈从文都是不得已而用之。但他通过文字和绘画的并置互文，古典和现代之间的平衡综合，在各种的视觉成规与表征体系的裂缝间做种种补缀的工作，尝试着传达他所感知到的完整的湘西，而实际上，那样一个湘西永远只在裂缝中隐约地闪现。

关键词: 沈从文, 直感经验, 视觉成规, 语-图关系, “如画”意识

Abstract: Shen Congwen's consciousness about the difference and complementarity between pictures and words finds expression in his Xiangxing Shujian (The Complete Works of Shen Congwen) and Xiangxing Sanji (Random Sketches on a Trip to Hu'nan). Shen thinks that it is much more difficult to express his intuitional experience by words than by painting, though, for him, painting is still powerless in this regard. Shen just made do with words. So he tried to describe the intact image of Xiangxi (West Hu'nan) by juxtaposing words and painting simultaneously and by balancing what is classic and what is modern. In fact, that kind of image of Xiangxi can only be found indistinctly in the crack between various visual regulations and the representation system.

Key words: Shen Congwen, intuitional experience, visual regulation, language-picture relationship, consciousness of picturesqueness