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文艺理论研究 ›› 2017, Vol. 37 ›› Issue (3): 172-181.

• 美学与文化研究 • 上一篇    下一篇

触觉文化还是听觉文化:也谈视觉文化之后

刘连杰   

  1. 广西艺术学院美术教育学院
  • 出版日期:2017-05-25 发布日期:2018-01-24
  • 作者简介:刘连杰,文学博士,广西艺术学院美术教育学院副教授,主要从事美学与艺术理论研究。
  • 基金资助:
    本文为教育部人文社科青年项目“梅洛-庞蒂晚期肉身存在论美学研究”[项目编号:13YJC720024]、云南省哲学社会科学创新团队“少数民族美学与审美教育研究”的阶段性成果。

Tactile Culture or Auditory Culture: A Different Future of the Post-Visual Culture

Liu Lianjie   

  1. the School of Fine Arts Education, Guangxi Arts University (Nanning 530007, China).
  • Online:2017-05-25 Published:2018-01-24
  • About author:Liu Lianjie, Ph.D., is an associate professor in the School of Fine Arts Education, Guangxi Arts University (Nanning 530007, China). His main research interest is aesthetics and arts theory.

摘要: 随着视觉文化霸权的不断扩张,“视觉文化之后”已成为学界关注的话题。以海德格尔和伽达默尔为代表的现象学和诠释学转向“倾听”,倡导听觉文化,而以麦克卢汉和德里达为代表的后现代主义者则转向“触感”,倡导触觉文化。但用听觉文化来替代视觉文化并未跳出西方传统思维模式,容易从“专制霸道”的一个极端走向“逆来顺受”的另一个极端。而相比于视觉文化和听觉文化,触觉文化具有更强的自我反思能力,更不容易形成专制主义,并呼应着当代文化的身体转向,因此有着更为积极的时代意义和广阔的发展前景。

关键词: 视觉文化, 听觉文化, 触觉文化, 麦克卢汉, 德里达

Abstract: With the continuous expansion of the hegemonic visual culture, post-visual culture has become an academic topic. Represented by Martin Heidegger and Hans-Georg Gadamer, phenomenology and hermeneutics turn to listening and advocate the auditory culture, but some postmodernists like Marshall Mcluhan and Jacques Derrida turn to touching and advocate tactile culture. The replacement of visual culture with auditory culture is still confined by traditional Western mindset, which is in fact a move from one extreme (despotic culture) to another extreme (submissive culture). Compared with visual culture and auditory culture, tactile culture is more self-reflexive, and less likely to become despotic, which also echoes the corporeal turn in contemporary culture. Therefore it is significant and promising.

Key words: visual culture, auditory culture, tactile culture, Marshall Mcluhan, Jacques Derrida