Auden, Wystan Hugh, and Cecil Day-Lewis. “‘Preface’ to Oxford Poetry 1927.” C. Day-Lewis: The Golden Bridle: Selected Prose. Eds. Albert Gelpi and Bernard O'Donoghue. Oxford and New York: Oxford University Press, 2017:1922. 马泰·卡林内斯库:《现代性的五副面孔》,顾爱彬、李瑞华译。南京:译林出版社,2015年。 [Calinescu, Matei. Five Faces of Modernity. Trans. Gu Aibin and Li Ruihua. Nanjing: Yilin Press, 2015.] 曹辛之:《致袁水拍》,《曹辛之集》第1卷,赵友兰,刘福春编。上海:上海人民出版社,2011年。384。 [Cao, Xinzhi. “To Yuan Shuipai.” Collected Works of Cao Xinzhi, Volume 1. Eds. Zhao Youlan and Liu Fuchun. Shanghai: Shanghai People's Publishing House, 2011.384.] 初犊:《文艺骗子沈从文和他的集团》,《泥土》4(1947):12—15。 [Chu, Du. “Literary Liar Shen Congwen and His Group.” Clay 4(1947):1215.] Izzo, David Garrett. Christopher Isherwood: His Era, His Gang, and the Legacy of the Truly Strong Man. Columbia: University of South Carolina Press, 2001. 姜涛:《“民主诗学”的限度——比较视野中的“新诗现代化”》,《首都师范大学学报(社会科学版)》,4(2019):129—139。 [Jiang, Tao. “The Limits of ‘Democratic Poetics’: ‘Modernization of New Poetry’ in the Comparative Perspective.” Journal of Capital Normal University (Social Sciences Edition) 4(2019):129139.] 蓝棣之:《九叶派诗歌批评理论探源》,《中国现代文学研究丛刊》4(2001):1—13。 [Lan, Dizhi. “An Exploration on the Origin of Nine-Leave School's Poetic Criticism.” Modern Chinese Literature Studies 4(2001):113.] 史彭德:《史彭德论奥登与“三十年代”詩人》,李旦译,《诗创造》12(1948):40—46。 [Spender, Stephen. “On Auden and Poets of the 1930s.” Trans. Li Dan. Creation of Poetry 12(1948):4046.] 斯班特:《反抗中的诗人》,袁水拍译,《青年文艺》3(1944):30—34。 [——. “Poets in Rellion.” Trans. Yuan Shuipai. Arts and Culture of Youth 3(1944):3034.] S·史彭德:《T.S.艾略忒的“四个四重奏”》,岑鄂之译,《诗创造》10(1948):20—22。 [——. “‘The Four Quartets’ of T.S. Eliot.” Trans. Ceng Ezhi. Creation of Poetry 10(1948):2022.] ——:《近年英国詩一瞥》,陈敬容译,《诗创造》10(1948):29—32。 [——. “A Glimpse of British Poetry in Recent Years.” Trans. Chen Jingrong. Creation of Poetry 10(1948):2932.] 史班特:《释现代诗中底现代性》,袁可嘉译,《文学杂志》3.6(1948):27—35。 [——. “What is Mordernity in Modern Poetry.” Trans. Yuan Kejia. Literary Magazine 3.6(1948):2735.] 斯梯分·斯本德:《作家与宣言》,《现代美英资产阶级文艺理论文选》(下),中国科学院文学研究所西方文学组编。北京:作家出版社,1962年。179—190。 [——. “Writers and Manifestos.” An Anthology of Modern American and British Bourgeois Literary Theory. Vol.2.Eds. Western Literature Group in the Institute of Literature in Chinese Academy of Sciences. Beijing: Writers Publishing House, 1962.179190.] Spender, Stephen:《现代诗歌中的感性》,袁水拍译,《诗文学》2(1945):101—104。 [——. “Sensuousness in Modern Poetry.” Trans. Yuan Shuipai. Poetry and Literature 2(1945):101104.] Spender, Stephen. The Destructive Element: A Study of Modern Writers and Beliefs. London: Jonathan Cape, 1935. 唐湜:《诗的新生代》,《诗创造》8(1948):20—22。 [Tang, Shi. “The New Generation of Poetry.” Creation of Poetry 8(1948):2022.] 袁可嘉:《自传:七十年来的脚印》,《新文学史料》3(1993):147—166。 [Yuan, Kejia. “Autobiography: Seventy Years of Footprints.” Historical Studies of Modern Literature 3(1993):147166] ——:《新诗戏剧化》,《诗创造》12(1948):1—6。 [——. “Dramatization of New Poetry.” Creation of Poetry. 12(1948):16.] ——:《现代英诗的特质》,《文学杂志》2.12(1948):58—62。 [——. “Features of Modern English Poetry.” Literary Magazine 2.12(1948):5862.] ——:《从分析到综合——现代诗的发展》,《益世报·文学周刊》1947年1月18日:第3版。 [——. “From Analysis to Synthesis: The Development of Modern Poetry.” Yishi Newspaper-Literature Weekly, 18 Jan 1947:3.] ——:《“人的文学”与“人民的文学”——从分析比较寻修正,求和谐》,天津《大公报·星期文艺》1947年7月6日:第6版。 [——. “‘Literature of Man’ and ‘Literature of the People’ — A Search for Corrections and Harmony from Analytical Comparison.” Ta Kung Pao-Weekly Literary Art (Tianjing) 6 July 1947:6] ——:《新诗现代化——新传统的寻求》,《大公报·星期文艺》(上海)1947年3月30日:第9版。 [——. “Modernizing New Poetry: The Search for a New Tradition,” Ta Kung Pao-Weekly Literary Art (Shanghai) 30 Mar 1947:9] ——:《〈新写作〉》,《大公报·星期文艺》(天津)1947年12月7日第6版。 [——. “New Writing.” Ta Kung Pao-Literature Weekly (Tianjing) 7 Dec 1947:6] ——:《诗与民主:五论新诗现代化》,《大公报·星期文艺》(天津)1948年10月3日:第4版。 [——. “Poetry and Democracy: Fifth Essay on the Modernization of New Poetry.” Ta Kung Pao-Weekly Literary Art (Tianjing) 3 Oct 1948:4] ——:“后记”,《现代美英资产阶级文艺理论文选》(下),中国科学院文学研究所西方文学组编。北京:作家出版社,1962年。421—466。 [——. “Postscript.” An Anthology of Modern American and British Bourgeois Literary Theory. Vol.2.Eds. Western Literature Group in the Institute of Literature in Chinese Academy of Sciences. Beijing: Writers Publishing House, 1962.421466.] ——:《关于西方现代主义文学的三个问题》,《现代派论·英美诗论》。北京:中国社会科学出版社,1985年。90—101。 [——. “Three Questions about Western Modernist Literature.” Criticism on Modernism and English Poetry. Beijing: China Social Science Press. 1985:90101.] 臧棣:《袁可嘉:40年代中国诗歌批评的一次现代主义总结》,《文艺理论研究》4(1997):85—92。 [Zang, Di. “Yuan Kejia: A Modernist Summary of Chinese Poetry Criticism in the 1940s.” Theoretical Studies in Literature and Art 4(1997):8592.] |