中国新感觉派对谷崎文学的接受与转化——基于刘呐鸥日记的阅读史考察

摘要/Abstract

摘要： 以施蛰存、刘呐鸥、穆时英为核心成员的新感觉派,其开放多元的文艺取向在同人正式聚合前的沉潜期(1926—1928年)已大体成形。除各人的文艺趣好本就存在交叠暗合外,刘呐鸥更以一己之阅读品味推动施蛰存等人早期文艺观的塑成。考察刘呐鸥1927年日记中的阅读线索,辅以各人的创作实践,可知在多种文学影响来源中,唯美主义尤其是谷崎润一郎的作品是联结文友旨趣的重要纽带。他们对谷崎文学的接受背后交织着个人审美情志和紧扣时代脉动的文学关怀,其接受动机大体上是外向而非内倾的。对谷崎文学的共同喜好不仅构成了新感觉派聚合的向心力,更形塑了团体的创作路向,沉淀并内化为流派的基本气质。不过,新感觉派对唯美颓废元素的运用一贯较节制,显现出接受的限度。

关键词: 中国新感觉派, 刘呐鸥, 唯美主义, 谷崎文学, 阅读史

Abstract: The neo-sensationalist literary orientation of Shi Zhecun, Liu Naou and Mu Shiying basically took shape between 1926 and 1928, before they became the school known as “Chinese Neo-sensationalists”. In addition to overlapping literary interests, Liu Naou's reading tastes contributed to the shaping of other members' early literary views. Liu Naou's diary in 1927 and neo-sensationalist works show that aestheticism, especially Junichiro Tanizaki's literary works, connected their interests. The group's reception of Tanizaki's work was intertwined with personal aesthetics and social concerns; their motivation was generally outward rather than inward. The shared preference for Tanizaki not only unified Chinese Neo-sensationalists, but also shaped their creative direction and underlay the basic character of the group. However, due to the relatively restrained use of aestheticist and decadent elements, the Chinese Neo-sensationalists' reception of Tanizaki's literary works was also limited.

Key words: Chinese Neo-sensationalists, Liu Na'ou, aestheticism, Junichiro Tanizaki's literary works, history of reading

高世蒙. 中国新感觉派对谷崎文学的接受与转化——基于刘呐鸥日记的阅读史考察[J]. 文艺理论研究, 2023, 43(6): 91-101.

Gao Shimeng. Chinese Neo-sensationalists' Reception and Transformation of Junichiro Tanizaki's Literary Works: A History of Reading Centering on Liu Naou's Diary[J]. Theoretical Studies in Literature and Art, 2023, 43(6): 91-101.

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中国新感觉派对谷崎文学的接受与转化——基于刘呐鸥日记的阅读史考察

Chinese Neo-sensationalists' Reception and Transformation of Junichiro Tanizaki's Literary Works: A History of Reading Centering on Liu Naou's Diary

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