
论意象创构中的象外之象
"Imagery Beyond Images" in the Creative Process of Idea-imagery
象外之象是主体在审美活动中体悟物象或事象时,借助于想象力,调动起审美经验,从而使物象或事象与主观情意进一步有机交融而形成的。象外之象是主体依托于实象凝神遐想的结果,是一种无中生有的创造,是对现实时空的一种拓展。象外之象不能脱离实象而独立存在,又对实象有所突破和改造,具有虚实相生的特点,乃至超越于虚实结合的象本身,达到无限。象外之象影响着主体对物象、事象的观取方式,基于主体的审美经验,有助于呈现物象和事象的神似,并以其自由的形态获得了丰富的表现力。艺象中包括实象和艺术家在创作过程中想象的象外之象,而欣赏者在此基础上又有自己想象的象外之象。艺术家的创作常常通过象外之象增强象对意的传达能力,给欣赏者留下足够的再创造的空间。
Imagery beyond images (IbIs) evolves from the infusion of subjective affect into object or event images in aesthetic activities, during the process of which the subject perceives object and event images in the form of imagination-ignited aesthetic experience. IbIs results from the subject's contemplation on physical images and therefore constitutes a creation out of the empty and an expansion of time and space. IbIs depends on transforms physical images. It shows itself as a symbiosis of emptiness and haveness and even goes beyond imagery per se to the extent of pointing to infinity. As IbIs is built on the subject's aesthetic experience, it influences the subject's perception of object and event images and contributes to the similitude in the representation of physical images. IbIs holdss rich expressivity in its free form. Artistic idea-imagery includes both perceptible physical images and the artist's imaginary IbIs, based on which the recipients may engender their own IbIs through imagination. Artists' creation relies on IbIs as a means to enhance imagery's communicative power, allowing space for re-creation.
象外之象 / 想象力 / 虚实结合 / 神似 / 凭心运象 {{custom_keyword}} /
imagery beyond images (IbIs) / imagination / infusion of the unreal and the real / transcendental similitude / imagery actualized through the mind {{custom_keyword}} /
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