增强现实与空间转向——网络文学的场景书写及其审美变革

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文艺理论研究 ›› 2019, Vol. 39 ›› Issue (4) : 33-38.

专题：物质、媒介与技术：当代文论研究的新动向

增强现实与空间转向——网络文学的场景书写及其审美变革

韩模勇

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Augmented Reality and the Spatial Turn: The Situational Writing of Cyber Literature and Its Aesthetic Transformation

Han Moyong

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摘要

网络文学的场景书写包括三种代表性的形态，即作为空间图景、虚拟现实和定位叙事的场景，它们之间虽存在差异，但都侧重于对位置、场所、空间、视觉等要素的刻画和塑造。这些写作倾向和特征明显不同于传统文学的书写，并导致文学发生了诸多变革。具体来说，在内在的文学与现实的关系上，文学从摹仿现实走向增强现实。前者表面虚构，本质真实，后者则表面真实，本质虚拟；在外在的审美特质上，文学则从时间艺术进入空间转向。网络文学场景书写突出文学的视觉形象、创造并置的空间结构并建构移动的位置场所。

Abstract

The situational writing of cyber literature displays three typical modes: the spatial sights, the virtual reality, and the locality narrative. Despite their differences, they all tend to shape and characterize through such elements as position, site, space, and visuality. These tendencies and features distinguish cyber writing from conventional literary writing and lead to changes in literature. Specifically, in terms of the relationship between literature and reality, literature begins to be transformed from imitating reality into augmenting reality. Conventional writing, based on imitation, pursues truth behind its fictive surface, while cyber writing is virtual in nature despite its surface verisimilitude. In terms of extrinsic aesthetic quality, literature enacts a turn from temporal art to spatial art. The situational writing of cyber literature highlights the visualilty inliterature, creates a juxtaposed spatial structure and constructs a mobile positioning site.

导出引用

韩模勇. 增强现实与空间转向——网络文学的场景书写及其审美变革[J]. 文艺理论研究, 2019, 39(4): 33-38

Han Moyong. Augmented Reality and the Spatial Turn: The Situational Writing of Cyber Literature and Its Aesthetic Transformation[J]. Theoretical Studies in Literature and Art, 2019, 39(4): 33-38