时间意识的觉醒与现代艺术的开端——印象派绘画的现象学阐释

苏宏斌

文艺理论研究 ›› 2018, Vol. 38 ›› Issue (1) : 161-169.

PDF(1214 KB)
欢迎访问《文艺理论研究》, 2025年5月2日 星期五
PDF(1214 KB)
文艺理论研究 ›› 2018, Vol. 38 ›› Issue (1) : 161-169.
专题:现象学美学研究

时间意识的觉醒与现代艺术的开端——印象派绘画的现象学阐释

作者信息 +

The Awakening of Time Consciousness and the Outset of Modern Art: A Phenomenological Interpretation of the Impressionist Painting

Author information +
文章历史 +

摘要

印象派绘画之所以成了现代艺术的开端,是因为这派画家把握住了现代生活的特质——变易性。对变易性的追求导致了印象派画家时间意识的觉醒,使他们把刻画事物的瞬间影像作为绘画的主题,从而把时间维度引入了绘画之中。为了捕捉事物的瞬间影像,印象派画家重视感知而排斥回忆和想象,因为在完整的时间意识中,感知能够获得当下的原初印象,回忆和想象则只能把握过去和未来。印象派绘画过分专注于事物的变易之美而忽视了其永恒之美,这导致其在开启现代绘画的同时,也迅速被后继的现代画派所取代。

Abstract

The impressionist painting became the outset of modern art because impressionist painters had grasped the characteristics of modern life: variability. Their pursuit of variability awakened their time consciousness which was later introduced into their paintings by portraying the transient moments of objects as the theme. In order to capture that moment, impressionist painters valued perception but denied memories and imagination for perception could grasp the original impression of the certain instant while memories and imagination could only catch the past and the future in the complete time consciousness. Impressionist painters were preoccupied with the beauty of transience but ignored that of eternity. Therefore, they were replaced by the subsequent modernist painters shortly after they unveiled the history of modern painting.

关键词

印象派 / 现代性 / 时间意识

Key words

impressionism / modernity / time consciousness

引用本文

导出引用
苏宏斌. 时间意识的觉醒与现代艺术的开端——印象派绘画的现象学阐释[J]. 文艺理论研究, 2018, 38(1): 161-169
Su Hongbin . The Awakening of Time Consciousness and the Outset of Modern Art: A Phenomenological Interpretation of the Impressionist Painting[J]. Theoretical Studies in Literature and Art, 2018, 38(1): 161-169

参考文献

  • 弗朗索瓦兹·巴尔伯·嗄尔:《读懂印象派》,王文佳译。北京:北京美术摄影出版社,2014年。[Barbe-Gall,Fran9oise.How to Look at Impressionism.Trans.Wang Wenjia.Beijing:Beijing Fine Arts and Photography Press,2014.]
  • 波德莱尔:《现代生活的画家》,郭宏安译。杭州:浙江文艺出版社,2007年。[Baudelaire,Charles.The Painter of Modern Life and Other Essays.Trans.Guo Hong'an.Hangzhou:Zhejiang Literature and Art Publishing House,2007.]
  • 本雅明:《发达资本主义时代的抒情诗人》,张旭东、魏文生译。北京:生活·读书·新知三联书店,1989年。[Benjamin,Walter.A Lyric Poet in the Era of High Capitalism.Trans.Zhang Xudong and Wei Wensheng.Beijing:SDX Joint Publishing Company,1989.]
  • 娜塔莉亚·布罗茨卡娅:《印象主义后印象主义》,刘乐、张晨译。北京:人民美术出版社,2014年。[Brodskaya,Nathalia.Impressionism and Post Impressionism.Trans.Liu Le and Zhang Chen.Beijing:People's Fine Arts Publishing House,2014.]
  • T.J.克拉克:《现代生活的画像---马奈及其追随者艺术中的巴黎》,沈语冰、诸葛沂译。南京:江苏美术出版社,2013年。[Clark,T.J..The Painting of Modern Life:Paris in the Art of Manet and His Followers.Trans.Shen Yubing and Zhuge Yi.Nanjing:Jiangsu Fine Arts Publishing House,2013.]
  • 约阿基姆·加斯凯:《画室---塞尚与加斯凯的对话》,章晓明、许菂译。杭州:浙江文艺出版社,2007年。[Gasquet,Joachim.Joachim Gasquet's Cézanne:A Memoir with Conversations.Trans.Zhang Xiaoming and Xu Di.Hangzhou:Zhejiang Art and Literature Publishing House,2007.]
  • 贡布里希:《艺术的故事》,范景中译。南宁:广西美术出版社,2008年。[Gombrich,E.H..The Story of Art.Trans.Fan Jingzhong.Nanning:Guangxi Fine Arts Publishing House,2008.]
  • ---:《艺术与错觉---图画再现的心理学研究》,杨成凯、李本正、范景中译。南宁:广西美术出版社,2012年。[---.Art and Illusion:A Study in the Psychology of Pictorial Representation.Trans.Yang Chengkai,Li Benzheng and Fan Jingzhong.Nanning:Guangxi Fine Arts Publishing House,2012.]
  • 修·昂纳约翰·弗莱明:《世界艺术史》,吴介祯等译。北京:北京美术摄影出版社,2013年。[Honour,Hugh,and John Fleming.A World History of Art.Trans.Wu Jiezhen.Beijing:Beijing Fine Arts and Photography Press,2013.]
  • 埃德蒙德·胡塞尔:《经验与判断---逻辑谱系学研究》,邓晓芒、张廷国译。北京:生活·读书·新知三联书店,1999年。[Husserl,Edmund.Experience and Judgment.Trans.Deng Xiaomang and Zhang Tingguo.Beijing:SDX Joint Publishing Company,1999.]
  • ---:《内时间意识现象学》,倪梁康译。北京:商务印书馆,2009年。[---.On the Phenomenology of the Consciousness of Internal Time.Trans.Ni Liangkang.Beijing:The Commercial Press,2009.]
  • ---:《关于时间意识的贝尔瑙手稿(1917-1918)》,肖德生译。北京:商务印书馆,2016年。[---.Time and Consciousness in the Bernau Manuscripts.Trans.Xiao Desheng.Beijing:The Commercial Press,2016.]
  • 康德:《纯粹理性批判》,邓晓芒译。北京:人民出版社,2004年。[Kant,Immanuel.Critique of Pure Reason.Trans.Deng Xiaomang.Beijing:People's Press,2004.]
  • 莱辛:《拉奥孔》,朱光潜译。北京:人民文学出版社,1988年。[Lessing,Gotthold.Laocoon:An Essay upon the Limits of Painting and Poetry.Trans.Zhu Guangqian.Beijing:People's Literature Publishing House,1988.]
  • 易英:“印象派:现代生活的观察者”,《三十二个展览:印象派全景》,上海博物馆编。北京:北京大学出版社,2013年。[Yi,Ying.“Impressionist:An Observer of Modern Life.”Thirty-two Exhibitions:Impressionist Panorama.Ed.Shanghai Museum.Beijing:Peking University Press,2013.]
  • 基金

    国家社科基金项目“审美经验的直观本性研究”[项目编号:17BZW060]的中期成果

    PDF(1214 KB)

    985

    Accesses

    0

    Citation

    Detail

    段落导航
    相关文章

    /