美之社会性：批判中的重建——从朱光潜对克罗齐的“误读”谈起

金浪

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文艺理论研究 ›› 2015, Vol. 35 ›› Issue (2) : 138-146.

现当代文论与批评

美之社会性：批判中的重建——从朱光潜对克罗齐的“误读”谈起

金浪

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The Sociality of the Aesthetic and the Reconstruction in Critique: From Zhu Guangqian's "Misreading" of Croce

JIN Lang

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摘要

本文旨在通过分析朱光潜对克罗齐的接受来探讨其美学中的社会性构建问题。在对朱光潜接受克罗齐的研究中，“误读”几成定论，但仅仅着眼于“误读”却未免遮蔽了朱光潜自身的美学构建。通过在“辨物”与“析情”中重回康德起点，朱光潜的批判不仅指向克罗齐，而且还上升至整个唯心主义哲学传统，深藏其后的乃是他对美之社会性问题的持续关注。这一关注发端于对克罗齐“传达”问题的批判，并在“物”的设置中实现了英国经验主义同情说与德国移情论美学两大传统的互补，从而为其情感论美学构建提供了理论依据。

Abstract

This paper investigates the construction of sociality in Zhu Guangqian's aesthetics by analyzing his acceptance of Croce. Misreading is almost a consensus in the studies of Zhu Guangqian's acceptance of Croce, while this might also overshadow his aesthetics construction. When returning to Kant as his point of re-departure, Zhu Guangqian not only directed his critique toward Croce but also the western tradition of idealist philosophy in general, and it is his continuous concern of the sociality of the aesthetic that lies behind his critique. This concern of his starts with his critique of Croce's aesthetics and is realized when he complimented British empirical sympathy and the tradition of German empathy aesthetics.

导出引用

金浪. 美之社会性：批判中的重建——从朱光潜对克罗齐的“误读”谈起[J]. 文艺理论研究, 2015, 35(2): 138-146

JIN Lang. The Sociality of the Aesthetic and the Reconstruction in Critique: From Zhu Guangqian's "Misreading" of Croce[J]. Theoretical Studies in Literature and Art, 2015, 35(2): 138-146

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