论中国文化诗学的理论创新性

顾祖钊

文艺理论研究 ›› 2013, Vol. 33 ›› Issue (3) : 31-40.

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文艺理论研究 ›› 2013, Vol. 33 ›› Issue (3) : 31-40.
专题:中国理论问题研究

论中国文化诗学的理论创新性

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On the Theoretical Innovations of the Chinese Cultural Poetics

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摘要

中国学人主张建构的中国文化诗学,是对20世纪国际学术思潮的回应,它将把中国文学研究和文学理论带入了新阶段、新境界。它所带来的理论创新是深刻而全面的。本文仅仅论证了文学的文化和审美文化性质,民族的文化身份和主体意识,以及他者理论等所造成的理论创新性;归纳了中国文化诗学的四大特征。仅此就已显示中国文化诗学的理论魅力和不可抗拒性,值得人们深思和玩味。

Abstract

Chinese cultural poetics as constructed by Chinese scholars is a response to the international academic trend in the 20th century, and it has not only developed a new arena for literary studies and literary theory in China but also brought about an all-around and profound theoretical innovation. This paper focuses on the cultural and aesthetic features of literature, cultural identity and subjecthood of nationality, and the theoretical innovation attributed to the "other" theory. The paper summarizes four main features of Chinese cultural poetics, and argues for the theoretical potentials of Chinese cultural poetics.

关键词

中国文化诗学 / 理论创新性 / 文学理论 / 文化身份

Key words

Chinese cultural poetics / theoretical innovations / literary theory / cultural identity

引用本文

导出引用
顾祖钊. 论中国文化诗学的理论创新性[J]. 文艺理论研究, 2013, 33(3): 31-40
GU Zu-Zhao. On the Theoretical Innovations of the Chinese Cultural Poetics[J]. Theoretical Studies in Literature and Art, 2013, 33(3): 31-40

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