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文艺理论研究 ›› 2018, Vol. 38 ›› Issue (4): 162-170.

• 西方文论与美学研究 • 上一篇    下一篇

打破英语美学界“审美经验”概念的困局

赵玉   

  1. 济南大学文学院
  • 出版日期:2018-09-25 发布日期:2018-10-22
  • 作者简介:赵玉,博士,济南大学文学院教授,主要从事文艺美学、环境美学及审美文化研究。
  • 基金资助:
    国家社会科学基金项目“20世纪‘恰当审美’理论的谱系及生态价值研究”[项目编号:14BZW022]的阶段性成果

The Predicament of Anglo-American Aesthetic Experience and Its Extrication

Zhao Yu   

  1. Literature School, Jinan University
  • Online:2018-09-25 Published:2018-10-22
  • About author:Zhao Yu, Ph.D, is Professor in the Literature School, Jinan University. Her research interest focuses on aesthetics and art theory.
  • Supported by:
    the Project of Philosophy and Social Sciences Fund of China (No. 14BZW022) 

摘要: “审美经验”概念在20世纪后的英语美学界陷入了一种不断被高举,又不断被质疑,不断被重新定义,又不断被推翻的困局,具体表现为三组对立:美学与艺术理论的核心问题/神话与幻象,情感性体验/与情感无关,评价性/描述性。这种困局就根本上而言源于审美经验与艺术界定的错误结合、以及与其密切相关的“艺术经验即审美经验”的错误等式。因此,打破困局的最好办法就是消除这一错误等式,为审美经验与艺术界定的紧密结合松绑。这样做不仅可以将审美经验从艺术领域的束缚中解放出来,同时也可以将艺术从审美经验的束缚中解放出来。

关键词: 审美经验, 困局, 艺术界定, 艺术经验

Abstract: The concept of "aesthetic experience" has fallen into a serious predicament since the late 20th century, especially in Anglo-American philosophy. Sometimes this concept is put in the core position in aesthetics and art theories, while other time even its existence is questioned, only being taken as phantom or myth; According to some philosophers, this concept is commendatory and represents only those affective experiences, while in other philosophers' eyes, this concept is purely descriptive and can also contain those experiences without any affects or emotions. Underlying this predicament is the wrong binding of aesthetic experience with the definition of art, and the blurred distinction between aesthetic and artistic experiences. So, the best way to extricate the concept from the predicament is to break down the wrong binding, clarify the distinction, and liberate the concepts of aesthetic experience and art from each other.

Key words: aesthetic experience, predicament, definition of art, artistic experience

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