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• 古代文论与古代文学的理论研究 • 上一篇    下一篇

论中国古典美学的“醉”境理想与精神

谭玉龙   

  1. 重庆邮电大学传媒艺术学院;四川师范大学文学院
  • 出版日期:2018-03-25 发布日期:2018-10-19
  • 作者简介:谭玉龙,文学博士,重庆邮电大学传媒艺术学院讲师,四川师范大学文学院博士后,主要从事中国古典美学研究。
  • 基金资助:
    国家社科基金艺术学重大项目“中华美学与艺术精神的理论与实践研究”[项目编号:16ZD52]阶段性研究成果

A Study on the Realm and Spirit of Drunkenness in Ancient Chinese Aesthetics

Tan Yulong   

  1. the Institute of Media and Art, Chongqing University of Posts and Telecommunications the School of Liberal Arts; Sichuan Normal University
  • Online:2018-03-25 Published:2018-10-19
  • About author:Tan Yulong, Ph.D., is a lecturer in the Institute of Media and Art, Chongqing University of Posts and Telecommunications and a postdoctoral fellow in the School of Liberal Arts, Sichuan Normal University. His main research field is ancient Chinese aesthetics.
  • Supported by:
    The National Social Sciences Fund for Major Project of Art (No.16ZD52)

摘要: “醉”孕育于先秦、发展于秦汉,秦汉以后逐步成为一种兼具工夫与本体的审美理想与精神境界。同时,它指向人生美学与艺术美学两个维度。人生美学之“醉”不仅是一种助人超越功名利禄、欲望追求的工夫,它还让人打破人与人、人与物的界限,从而达到齐生死、等万物的境界,这种境界是一种集真善美为一体的本体之境、存在之域。艺术美学之“醉”首先让人澄明心胸、超越功利,以一颗自然之心进行艺术创作与审美鉴赏,它还让艺术家冲破技法的束缚,将技法内化于无意识之中,获得“无法之法”,最终在艺术创作中进入“天人合一”的境界。因此,“醉”不仅是中国古典美学为我们留下的宝贵理论遗产,它还彰显着中华民族独特的美学与艺术精神。

关键词: 酒文化, “醉”, 工夫即本体, 天人合一, 中华美学与艺术精神

Abstract: The idea of drunkenness originated in the pre-Qin period and developed in the Qin and Han dynasties. After that, drunkenness was gradually transformed into an aesthetic standard of Gongfu and noumenon. Meanwhile, it consisted of life aesthetics and art aesthetics. The drunkenness of life aesthetics not only helped individuals surpass fame and fortune, but brought them into a realm of absolute equality to communicate with the ontological realm. The art aesthetics aspect of drunkenness made one disinterested so as to create art naturally. Besides, it let individuals break the bondage of skills and brought them to the realm of unity of the universe and the human. Therefore, drunkenness was not only a precious theoretical legacy of aesthetics of ancient China, but also a manifestation of the aesthetic and artistic spirit of the Chinese people.

Key words: spirits culture, drunkenness, Gongfu as noumenon, unity of the universe and the human, the aesthetic and artistic spirit of China