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文艺理论研究 ›› 2013, Vol. 33 ›› Issue (2): 134-144.

• 现当代文论研究 • 上一篇    下一篇

“朦胧诗”后先锋诗歌历史的两种叙事——从90年代先锋诗人阵营内部的论争、分裂谈起

姜玉琴   

  1. 上海外国语大学文学研究院
  • 出版日期:2013-03-25 发布日期:2013-05-01
  • 作者简介:姜玉琴,上海外国语大学文学研究院研究员、文学博士。主要研究方向是中国现当代文学、古典诗学。

The Two Narratives of the History of Avant-Garde Poetry after the "Misty Poetry"

Jiang Yuqin   

  1. the Institute of Literary Research, Shanghai International Studies University
  • Online:2013-03-25 Published:2013-05-01
  • About author:Jiang Yuqin, Ph.D, is a professor at the Institute of Literary Research, Shanghai International Studies University. Her research interests cover Chinese contemporary literature and classical poetics.

摘要: 20世纪90年代先锋诗人的文学史意识空前高涨,有不少诗人都自备了详细的“创作活动年表”;有的诗人明确提出要为文学史写作;更多的诗人由于不满学院派批评家的规范尺度和审美准则,在创作之余更是直接介入到理论批评的写作以及诗选集、诗论集的编纂、出版工作之中。90年代的当代先锋诗坛,诗人们上演了一场“自己的诗歌自己做主”的戏。诗人们这种直接参与到理论研究以及文学史写作中的热忱,大大影响,甚至在某种程度上改写了当代先锋诗歌的研究格局。

关键词: 先锋诗人, 先锋诗歌史, 诗歌史, 命名

Abstract: In the 1990s, the avant-garde poets had a very strong consciousness of literary history, and some had even kept a detailed record of creative activities. While some proclaimed that they were writing for literary history, there were more poets who, unsatisfied with the aesthetic norms and rules advocated by the scholastic critics, would engage themselves into the critical practice by writing essays, editing poetry anthologies and compiling collections of critical essays on poetry. In the 1990s' avant-garde poetic circle, the poets managed to be the masters of their own poetry, and their active engagement into the theoretical exploration and the intervention of poetic practice into the literary history helped to mould the general framework of contemporary avant-garde poetry.

Key words: avant-garde poets, history of avant-garde poetry, history of poetry, naming