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文艺理论研究

文艺理论研究 ›› 2021, Vol. 41 ›› Issue (2): 68-77.

• 现当代文论 • 上一篇    下一篇

历史断裂处的魏晋想象——在抗战语境下重读宗白华《论〈世说新语〉和晋人的美》

金浪   

  1. 重庆大学人文社会科学高等研究院
  • 出版日期:2021-03-25 发布日期:2021-03-23
  • 作者简介:金浪，文学博士，重庆大学人文社会科学高等研究院副教授，主要从事中国现当代文论与美学的研究。
  • 基金资助:
    重庆市社科规划一般项目“抗战国统区左翼文学批评的思想谱系研究”[项目编号：2020YBWX159]和重庆大学中央高校基本科研业务费专项项目[项目编号：2019CDJSK47PT29]

Imaginations of the Wei and Jin Dynasties in the Time of Historical Fracture: Rereading Zong Baihua’s “On The Tales of the World and the Beauty of the Jin People” in the Context of the Second Sino-Japanese War 

Jin Lang   

  1. Institute for Advanced Studies on Humanities and Social Sciences, Chongqing University
  • Online:2021-03-25 Published:2021-03-23
  • About author:Jin Lang, Ph.D., is an associate professor at the Institute for Advanced Studies on Humanities and Social Sciences, Chongqing University. His research interests include literary theories, and aesthetics in modern and contemporary China.
  • Supported by:
    Chongqing Social Sciences Foundation (NO. 2020YBWX159) and the Chongqing University Fundamental Research Funds for the Central Universities (NO. 2019CDJSK47PT29)

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摘要： 宗白华《论〈世说新语〉和晋人的美》作为魏晋美学研究的奠基之作，其以“个性自觉”来阐发魏晋美学精神的思想进路，常可被追溯至“五四”时期，而这一理解其实又是新时期重写的结果，其中常被忽略的事实便是该文写作于抗战时期，故理应被放置回抗战时期的历史文化语境下来解读。抗战时期清谈误国论复兴的思想氛围，不仅使得该文发表后招致了来自介子的批判，也促成了宗白华通过对儒家道德与礼法的重释将“五四”缝合进“抗战”的努力，而深藏其后的乃以德国作为方法的文艺复兴取径。这些思想意涵在新时期思想构造中的遗失，恰恰透露了“启蒙”对“救亡”的新的压抑。

关键词: 宗白华, 抗战时期, 晋人的美, 个性自觉, 文艺复兴

Abstract: Zong Baihua’s “On The Tales of the World and the Beauty of the Jin People” is the foundation for research on the aesthetics of the Wei and Jin dynasties. It expounds on the aesthetic spirit in the Wei and Jin dynasties with discourses of “consciousness of personality”, which is often traced back to the period of the May Fourth Movement. In fact, this understanding is the result of reinterpretations in the new era. An overlooked fact is that this work was written during the Second Sino-Japanese War, and should be interpreted in the historical and cultural context of this period. The ideological atmosphere during the Second Sino-Japanese War led to a revival of the statement of “empty talk ruins the country”, which not only aroused criticism from Jie Zi after the publication of this work, but also contributed to Zong Baihua’s efforts to incorporate the May Fourth spirit into the War of Resistance, particularly through reinterpretations of Confucian morality and etiquette, as well as an underlying German approach of Renaissance. The absence of these connotations in the ideological structure of the new era precisely reveals the new repression of “enlightenment” on "salvation”.

Key words: Zong Baihua, the period of Second Sino-Japanese War, the beauty of the Jin people, consciousness of personality, Renaissance