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• 专题:阿甘本研究 • 上一篇    下一篇

姿态的诗学:阿甘本的生命政治批评

支运波   

  1. 上海戏剧学院艺术研究所,南京大学哲学系
  • 出版日期:2018-03-25 发布日期:2018-10-19
  • 作者简介:支运波,上海戏剧学院艺术研究所副教授,南京大学哲学系在站博士后,主要从事艺术学理论与生命政治理论研究。
  • 基金资助:
    上海市“曙光学者”项目“生命政治理论美学的批判性研究”[项目编号:17SG48]; “上海市教育委员会高原学科建设计划Ⅱ高原上海戏剧学院艺术学理论”;中国博士后科学基金面上资助“生命政治理论视阈中的生存美学研究”[项目编号:2016M590433]的阶段性成果

Poetics of Gesture: Agamben's Biopolitical Criticism

Zhi Yunbo   

  1. the Arts Research Institute, Shanghai Theatre Academy Nanjing University
  • Online:2018-03-25 Published:2018-10-19
  • About author:Zhi Yunbo is an associate professor in the Arts Research Institute, Shanghai Theatre Academy, and a post-doctoral fellow in Nanjing University, with main academic interest in art theory and biopolitical theory.
  • Supported by:
    the "Shuguang Program" of Shanghai Education Development Foundation (17SG48), the Shanghai Education Development Foundation for Discipline Construction by Shanghai Municipal Education Commission, and China Postdoctoral Science Foundation (2016M590433) 

摘要: 本文旨在探究阿甘本思想中姿态批评的相关内容,澄清姿态批评何以属于政治与伦理的生命政治理论论域的根据。文章分为三部分:第一部分勾勒阿甘本有关哑口、空无和纯粹媒介的姿态维度,指出其悬置批评传统,重新勘定新的批评边界的革命性批评意义;第二部分阐明姿态也是阿甘本的思想来源者本雅明文学批评的主要概念,并论述中断作为本雅明姿态论的内容及价值;最后一个部分阐释作为生命政治批评范畴的姿态论。本文的结论为姿态论是阿甘本文学批评的根本思想,并由此标志着其文学批评从美学批评向生命政治批评的深度越界与重大转向。

关键词: 阿甘本, 本雅明, 姿态, 生命政治批评

Abstract: This article explores the gestural criticism in Agamben's works and elucidates why it belongs to the biopolitical criticism of politics or ethics. This article has three sections. First, it discusses the dimensions of gesture, gag, emptiness, and pure medium, and then points out that gestural criticism's revolutionary significance in terms of suspending the critical tradition and resetting a new boundary for criticism. Second, it illuminates that gesture is also a key critical concept of Benjamin's, and then discusses the meaning and value of interruption in gesture. Third, this article illustrates that the theory of gesture belongs to biopolitical criticism. This article concludes that gesture is fundamental to Agamben's critical thought, which indicates a turn from aesthetic criticism to biopolitical criticism.

Key words: Agamben, Benjamin, gesture, biopolitical criticism