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文艺理论研究

文艺理论研究 ›› 2018, Vol. 38 ›› Issue (1): 177-183.

• 专题：现象学美学研究 • 上一篇    下一篇

从艺术作品感性结构的“生发-显现”看海德格尔的“凡·高阐释”

张云鹏   

  1. 中国计量大学人文社科学院
  • 出版日期:2018-01-25 发布日期:2018-10-19
  • 作者简介:张云鹏，中国计量大学人文社科学院教授，研究方向为现象学美学。
  • 基金资助:
    国家社科基金项目“杜夫海纳审美知觉现象学之现象学阐释”[项目编号：15BZX125]的阶段性成果

A Study of Heidegger's "Interpretation for Van Gogh" from the Perspective of "Becoming and Manifestation" in the Sensory Structure of Artistic Works

Zhang Yunpeng   

  1. the School of Humanities and Social Sciences, China Jiliang University
  • Online:2018-01-25 Published:2018-10-19
  • About author:Zhang Yunpeng is a professor in the School of Humanities and Social Sciences, China Jiliang Univensity. His main research field is phenomenological aesthetics.
  • Supported by:
    the National Social Sciences Foundation (15BZX125) 

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摘要： 海德格尔的“凡·高阐释”在学界产生极大影响，同时也引发了一些质疑、批评与争论。为深化对其阐释的理解，需将其置于其思想转向后的理论语境中。判断这种阐释是否合理并合度，需要回到审美经验中艺术作品感性结构的“生发-显现”这一现象去印证。如果说艺术作品感性的显现是诗，那么审美解释则是思。诗思是否同一，当成为理解海德格尔“凡·高阐释”的基本根据和参照。

关键词: 存在, 艺术, 艺术作品, 感性显现

Abstract: While Heidegger's "Interpretation for Van Gogh" is influential in academic circles, there are also some challenges, criticism and arguments. In order to deepen the understanding of Heidegger's interpretation, we need to contextualize it in the theory after the turn of his thought. To determine whether the explanation is reasonable and appropriate, we need to verify it by returning to the phenomenon of "becoming and manifestation" within the sensory structure in aesthetic experience of artistic works. If the sensory manifestation of artistic works is poetry, then the aesthetic interpretation is thought. Whether poetry and thought are identical or not should be the fundamental basis and reference to understand Heidegger's "Interpretation for Van Gogh".

Key words: being, art, artistic works, sensory manifestation