欢迎访问《文艺理论研究》，
文艺理论研究

文艺理论研究 ›› 2018, Vol. 38 ›› Issue (1): 161-169.

• 专题：现象学美学研究 • 上一篇    下一篇

时间意识的觉醒与现代艺术的开端——印象派绘画的现象学阐释

苏宏斌   

  1. 浙江大学中文系
  • 出版日期:2018-01-25 发布日期:2018-10-19
  • 作者简介:苏宏斌，文学博士，现为浙江大学中文系教授、博士生导师，研究领域为文艺学、美学基础理论、现象学美学。
  • 基金资助:
    国家社科基金项目“审美经验的直观本性研究”[项目编号：17BZW060]的中期成果

The Awakening of Time Consciousness and the Outset of Modern Art: A Phenomenological Interpretation of the Impressionist Painting

Su Hongbin   

  1. the School of Chinese Language and Literature, Zhejiang University
  • Online:2018-01-25 Published:2018-10-19
  • About author:Su Hongbin, Ph.D., is a professor in the School of Chinese Language and Literature, Zhejiang University. His research interests cover literary theory and aesthetic theory.
  • Supported by:
    the Key Project of Social Sciences Foundation of China (17BZW060) 

PDF (PC)

163

摘要： 印象派绘画之所以成了现代艺术的开端，是因为这派画家把握住了现代生活的特质——变易性。对变易性的追求导致了印象派画家时间意识的觉醒，使他们把刻画事物的瞬间影像作为绘画的主题，从而把时间维度引入了绘画之中。为了捕捉事物的瞬间影像，印象派画家重视感知而排斥回忆和想象，因为在完整的时间意识中，感知能够获得当下的原初印象，回忆和想象则只能把握过去和未来。印象派绘画过分专注于事物的变易之美而忽视了其永恒之美，这导致其在开启现代绘画的同时，也迅速被后继的现代画派所取代。

关键词: 印象派, 现代性, 时间意识

Abstract: The impressionist painting became the outset of modern art because impressionist painters had grasped the characteristics of modern life: variability. Their pursuit of variability awakened their time consciousness which was later introduced into their paintings by portraying the transient moments of objects as the theme. In order to capture that moment, impressionist painters valued perception but denied memories and imagination for perception could grasp the original impression of the certain instant while memories and imagination could only catch the past and the future in the complete time consciousness. Impressionist painters were preoccupied with the beauty of transience but ignored that of eternity. Therefore, they were replaced by the subsequent modernist painters shortly after they unveiled the history of modern painting.

Key words: impressionism, modernity, time consciousness