欢迎访问《文艺理论研究》，
文艺理论研究 ›› 2016, Vol. 36 ›› Issue (4): 39-60.
• 会议专题：“文艺学学科反思的回顾与前瞻” • 上一篇 下一篇
张英进
出版日期:2016-07-25
发布日期:2017-09-29
作者简介:张英进，上海交通大学人文学院访问讲席教授，美国圣地亚哥加州大学文学系系主任、比较文学杰出教授，研究范围包括文学、电影、都市文化、文化史，出版英文书籍十三部，中文书籍十一部，发表中、英、德、意大利、西班牙、葡萄牙、韩文论文160余篇。
Yingjin Zhang
Online:2016-07-25
Published:2017-09-29
About author:Yingjin Zhang is Visiting Chair Professor of Humanities at Shanghai Jiao Tong University, China, Distinguished Professor of Comparative Literature and Chair of the Department of Literature at University of California, San Diego, USA. His research covers literature, film, urban culture and cultural history. His publications include thirteen English books, eleven Chinese books, and over 160 research articles in Chinese, English, German, Italian, Spanish, Portuguese and Korean.
摘要： 本文为英文版《中国现代文学指南》的导言的删节版，主要关注三个项目。其一，通过分析三个关键词，以厘定中国现代文学的范围及与该名称相关的主要问题。其二，回溯中国现代文学研究的机制化进程，尤其是其在北美的发展。其三，勾勒《中国现代文学指南》的整体轮廓。《指南》的第一部分“历史与地理”的描述中国现代文学史和区域发展。第二部分“文类与类型”概览中国现代文学中主要文类（诗歌、小说、戏剧和散文）以及其他文学类型（翻译文学，女性文学，通俗文学和少数民族文学）。第三部分“文化和媒体”探讨美学、语言、区域、都市等文化概念以及视觉艺术、印刷、网络等技术媒体对文学的影响。第四部分“议题与争论”侧重介绍文学流派与思潮、性别与身体、记忆与创伤以及中文与英文学界的整体发展。结语部分涉及海外近期的关键议题、作家研究和文学争论。
张英进. 50年来海外中国现代文学的英文研究[J]. 文艺理论研究, 2016, 36(4): 39-60.
Yingjin Zhang. English Scholarship on Modern Chinese Literature in the Past Fifty Years[J]. Theoretical Studies in Literature and Art, 2016, 36(4): 39-60.
| Anderson,Marston.The Limits of Realism:Chinese Fiction in the Revolutionary Period.Berkeley:U of California P,1990. Barlow,Tani E.,ed.Gender Politics in Modem China:Writing and Feminism.Durham,NC:Duke UP,1993. Barme,Geremie R..In the Red:On Contemporary Chinese Culture.New York:Columbia UP,1999. Berninghausen,John,and Ted Huters,eds.Revolutionary Literature in China:An Anthology.White Plains,NY:M.E.Sharpe,1976. Berry,Michael.The History of Pain:Trauma in Modern Chinese Literature and Film.New York:Columbia UP,2008.Birch,Cyril,ed.Anthology of Chinese Literature.2 vols.New York:Grove P,1972. Braester,Yomi.Witness against History:Literature,Film and Public Discourse in Twentieth-Century China.Stanford,CA:Stanford UP,2003. Cai,Rong.The Subject in Crisis in Contemporary Chinese Literature.Honolulu:U of Hawaii P,2004. Chan,Shelley W..A Subversive Voice in China:The Fictional World of Mo Yan.Amherst,NY:Cambria P,2011. Chang,Kang-i Sun,and Stephen Owen,eds.The Cambridge History of Chinese Literature,VolumeⅡ:From 1375.Cambridge,UK:Cambridge UP,2010. Chang,Sung-sheng Yvonne.Literary Culture in Taiwan:Martial Law to Market Law.New York:Columbia UP,2004. ——.Modernism and the Nativist Resistance:Contemporary Chinese Fiction from Taiwan.Durham,NC:Duke UP,1993. Chen,Xiaomei.Occidentalism:A Theory of Counter-discourse in Post-Mao China.New York:Oxford UP,1995. ——.Acting the Right Part:Political Theater and Popular Drama in Contemporary China.Honolulu:U of Hawaii P,2002. Chen,Yu-Shih.Realism and Allegory in the Early Fiction of Mao Tun.Bloomington:Indiana UP,1986. Cheng,Eileen.Literary Remains:Death,Trauma,and Lu Xun's Refusal to Mourn.Honolulu:U of Hawaii P,2013. Cheung,Dominic.Feng Chih.Boston:Twayne,1979. Chi,Pang-yuan,and David Der-wei Wang,eds.Chinese Literature in the Second Half of a Modern Century:a Critical Survey.Bloomington:Indiana UP,2000. Chiang,Howard,and Ari Larissa Heinrich,eds.Queer Sinophone Cultures.New York:Routledge,2013. Chow,Rey,ed.Modern Chinese Literary and Cultural Studies in the Age of Theory:Reimagining a Field.Durham,NC:Duke UP,2000. ——."Violence in Other Country:China as Crisis,Spectacle,and Woman."Third World Women and the Politics of Feminism.Eds.Chandra Talpade Mohanty,Ann Russo,and Lourdes Torres.Bloomington:Indiana UP,1991.81-100. ——.Woman and Chinese Modernity:The Politics of Reading between West and East.Minneapolis:U of Minnesota P,1991. Crespi,John A..Voices in Revolution:Poetry and the Auditory Imagination in Modern China.Honolulu:U of Hawaii P,2009. 丁易:《中国现代文学史略》。北京:作家出版社,1955年。[Ding,Yi.A Brief History of Modem Chinese Literature.Beijing:China Writers Publishing House,1955.] Daruvala,Susan.Zhou Zuoren and an Alternative Response to Chinese Modernity.Cambridge,MA:Harvard U Asia Center,2000. Davies,Gloria,ed.Voicing Concerns:Contemporary Chinese Critical Inquiry.Lanham,MD:Rowman and Littlefield,2001. ——.Lu Xun's Revolution:Writing in a Time of Violence.Cambridge,MA:Harvard UP,2013. Denton,Kirk A..The Problematic of Self in Modern Chinese Literature:Hu Feng and Lu ling.Stanford,CA:Stanford UP,1998. ——,ed.The Columbia Companion to Modem Chinese literature.New York:Columbia UP,2016. Denton,Kirk A.,and Michel Hockx,eds.Literary Societies of Republican China.Lanham,MD:Lexington Books,2008. Des Forges,Alexander.Mediasphere Shanghai:The Aesthetics of Cultural Production.Honolulu:U of Hawaii P,2007. Dirlik,Arif."Literary Identity/Cultural Identity:Being Chinese in the Contemporary World."MCLC Resource Center Publication(Sept.2013).(http://mclc.osu.edu/rc/pubs/dirlik.htm). Dirlik,Arif,and Xudong Zhang,eds.Postmodernism and China.Durham,NC:Duke UP,2000. Doleelova-Velingerova,Milena,ed.The Chinese Novel at the Turn of the Century.Toronto:U of Toronto P,1980. ——,ed.A Selective Guide to Chinese Literature,1900-1949.Vol.Ⅰ.The Novel.Leiden:Brill,1987. Dolezelova-Velingerova,Milena,and Old r ich Kral,eds.The Appropriation of Cultural Capital:China's May Fourth Project.Cambridge,MA:Harvard UP,2001. Dooling,Amy.Women's Literary Feminism in TwentiethCentury China.New York:Palgrave Macmillan,2005. Duke,Michael S..Blooming and Contending:Chinese Literature in the Post-Mao Era.Bloomington:Indiana UP,1985. ——,ed.Modern Chinese Women Writers:Critical Appraisals.Armonk,NY:M.E.Sharpe,1989. ——."Thoughts on Politics and Critical Paradigms in Modern Chinese Literature Studies."Modem China 19.1(1993):41-70. Duran,Angelica,and Yuhan Huang,eds.Mo Yan in Context:Nobel Laureate and Global Storyteller.West Lafayette,IN:Purdue UP,2014. Eagleton,Terry.Literary Theory:An Introduction.Oxford,UK:Basil Blackwell,1983. Eberstein,Bernd,ed.A Selective Guide to Chinese Literature,1900-1949.Vol.Ⅳ.The Drama.Leiden:Brill,1989. Farquhar,Mary Ann.Children's Literature in China:From Lu Xun to Mao Zedong.Armonk,NY:M.E.Sharpe,1999. Faurot,Jeannette L..Chinese Fiction from Taiwan:Critical Perspectives.Bloomington:Indiana UP,1980. Feng,Jin.Romancing the Internet:Producing and Consuming Chinese Web Romance.Leiden:Brill,2013. Feuerwerker,Yi-tsi Mei.Ding Ling's Fiction:Ideology and Narrative in Modern Chinese Literature.Cambridge,MA:Harvard UP,1982. ——.Ideology,Power,Text:Self-Representation and the Peasant"Other"in Modem Chinese Literature.Stanford,CA:Stanford UP,1998. Fitzgerald,Carolyn.Fragmenting Modernisms:Chinese Wartime Literature,Art,and Film,1937-1949.Leiden:Brill,2013. Fokkema,Douwe W..Literary Doctrine in China and Soviet Influence,1956-1960.The Hague:Mouton,1965. Foster,Kate.Chinese Literature and the Child:Children and Childhood in Late-Twentieth-Century Chinese Fiction.New York:Palgrave Macmillan,2013. Foster,Paul B..Ah Q Archaeology:Lu Xun,Ah Q,Ah Q Progeny and the National Character Discourse in Twentieth Century China.Lanham,MD:Lexington Books,2006. Galik,Marian.The Genesis of Modern Chinese Literary Criticism(1917—1930).Trans.Peter Tkac.London:Curzon P,1980. ——.Mao Tun and Modern Chinese Literary Criticism.Wiesbaden:F.Steiner,1969. ——.Milestones in Sino-Western Literary Confrontation,1898-1979.Wiesbaden:Harrassowitz,1986. Grieder,Jerome.Hu Shih and the Chinese Renaissance.Cambridge,MA:Harvard UP,1970. Goldblatt,Howard.Hsiao Hung.Boston:Twayne,1976. Goldman,Merle.Literary Dissent in Communist China.Cambridge,MA:Harvard UP,1967. ——,ed.Modern Chinese Literature in the May Fourth Era.Cambridge,MA:Harvard UP,1977. Gong,Haomin.Uneven Modernity:Literature,Film,and Intellectual Discourse in Postsocialist China.Honolulu:U of Hawaii P,2012. Groppe,Alison.Sinophone Malaysian Literature:Not Made in China.Amherst,NY:Cambria P,2013. Gunn,Edward M..Rendering the Regional:Local Language in Contemporary Chinese Media.Honolulu:U of Hawaii P,2006. ——.Rewriting Chinese:Style and Innovation in TwentiethCentury Chinese Prose.Stanford,CA:Stanford UP,1991. ——.Unwelcome Muse:Chinese Literature in Shanghai and Peking,1937-1945.New York:Columbia UP,1980. Haft,Lloyd,ed.A Selective Guide to Chinese Literature,1900-1949.Vol.Ⅲ.The Poem.Leiden:Brill,1988. Hamm,John Christopher.Paper Swordsmen:Jin Yong and the Modern Chinese Martial Arts Novel.Honolulu:U of Hawaii P,2005. Hanan,Patrick.Chinese Fiction of the Nineteenth and Early Twentieth Centuries:Essays by Patrick Hanan.New York:Columbia UP,2004. Hang,Krista Van Fleit.Literature the People Love:Reading Chinese Texts from the Early Maoist Period,1949-1966.New York:Palgrave Macmillan,2013. Hill,Michael Gibbs.Lin Shu,Inc.:Translation and the Making of Modern Chinese Culture.Oxford,UK:Oxford UP,2012. Hockx,Michel.Internet Literature in China.New York:Columbia UP,2014. ——,ed.The Literary Field in Twentieth-Century China.Honolulu:U of Hawaii P,1999. ——.Questions of Style:Literary Societies and Literary Journals in Modem China,1911-1937.Leiden:Brill,2003. Hohendahl,Peter Uwe.Building a National Literature:The Case of Germany,1830-1870.Trans.Renate Baron Franciscono.Ithaca:Cornell UP,1989. Hsia,C.T..The Classic Chinese Novel:A Critical Introduction.New York:Columbia UP,1968. ——.A History of Modern Chinese Fiction,1917-1957.New Haven,CT:Yale UP,1961:2nd edition,1971. ——."On the'Scientific'Study of Modern Chinese Literature:A Reply to Professor Prusek."Toung Poo50.4-5(1963):428-74. 夏志清:《中国现代小说史》,刘绍铭等译。香港:友联,1979年。 [——.A History of Modern Chinese Fiction.Trans.Joseph S.M.Lau,et al.Hong Kong:Union P,1979.] Hsia,C.T.,and Joseph S.M.Lau,eds.TwentiethCentury Chinese Stories.New York:Columbia UP,1971. Hsia,Tsi-an.The Gate of Darkness:Studies on the Leftist Literary Movement in China.Seattle:U of Washington P,1968. Hsu,Kai-yu,ed.Literature of the People's Republic of China.Bloomington:Indiana UP,1980. ——.Wen I-to.Boston:Twayne,1980. Hu,John Y.H..Ts'ao Y(u|¨).New York:Twayne,1972. Hu,Ying.Tales of Translation:Composing the New Woman in China,1898-1918.Stanford,CA:Stanford UP,2000. Huang,Nicole.Women,War,Domesticity:Shanghai Literature and Popular Culture of the 1940s.Leiden:Brill,2005. Hung,Chang-tai.Going to the People:Chinese Intellectuals and Folk Literature,1918-1937.Cambridge,MA:Harvard Council on East Asian Studies,1985. Huss,Ann.,and Jianmei Liu,eds.The Jin Yong Phenomenon:Chinese Martial Arts Fiction and Modem Chinese Literary History.Yongstown,NY:Cambria P,2007. Huters,Theodore.Bringing the World Home:Appropriating the West in Late Qing and Early Republican China.Honolulu:U of Hawaii P,2005. ——.Qian Zhongshu.Boston:Twayne,1982. ——,ed.Reading the Modem Chinese Short Story.Armonk,NY:M.E.Sharpe,1990. Jones,Andrew F..Developmental Fairytales:Evolutionary Thinking and Modem Chinese Cultures.Cambridge,MA:Harvard UP,2011. Kaldis,Nicholas.The Chinese Prose Poem:A Study of Lu Xun's Wild Grass(Yecao).Amherst,NY:Cambria P,2014. King,Richard.Milestones on a Golden Road:Writing for Chinese Socialism,1945-80.Hong Kong:Hong Kong UP,2014. Kinkley,Jeffrey C..Chinese Justice,the Fiction:Law and Literature in Modem China.Stanford,CA:Stanford UP,2000. ——.Corruption and Realism in Late Socialist China:The Return of the Political Novel.Stanford,CA:Stanford UP,2007. ——."The New Chinese Literature:The Mainland and Beyond."Choke 31.8(1994):1249-65. ——.The Odyssey of Shen Congwen.Stanford,CA:Stanford UP,1987. Khoo,Tseen,and Kam Louie,eds.Culture,Identity,Commodity:Diasporic Chinese Literatures in English.Montr6al:McGill-Queen's UP,2005. Knight,Sabina.The Heart of Time:Moral Agency in Twentieth-Century Chinese Fiction.Cambridge,MA:Harvard U Asia Center,2006. Kong,Shuyu.Consuming Literature:Best Sellers and the Commercialization of Literary Production in Contemporary China.Stanford,CA:Stanford UP,2005. ——.Popular Media,Social Emotion and Public Discourse in Contemporary China.London:Routledge,2014. Kowallis,Jon Eugene von.The Lyrical Lu Xun:A Study of His Classical-Style Verse.Honolulu:U of Hawaii P,1996. Kubin,Wolfgang,and Rudolf G.Wagner,eds.Essays in Modern Chinese Literature and Literary Criticism.Bochum,Germany:Brockmeyer,1982. Kuo,Jason,ed.Visual Culture in Shanghai,1850-1930.Washington,D.C.:New Academia Publishing,2007. abdzka,Izabella.Gao Xingjian's Idea of Theatre:From the Word to the Image.Leiden:Brill,2008. Lancashire,Douglas.Li Po-yuan.Boston:Twayne,1981. Lang,Olga.Pa Chin and His Writings:Chinese Youth Between the Two Revolutions.Cambridge,MA:Harvard UP,1967. Larson,Wendy.Literary Authority and the Modem Chinese Writer:Ambivalence and Autobiography.Durham,NC:Duke UP,1991. ——.Women and Writing in Modern China.Stanford,CA:Stanford UP,1998. Larson,Wendy,and Anne Wedell-Wedellsborg,eds.Inside Out:Modernism and Postmodernism in Chinese Literary Culture.Aarhus,Denmark:Aarhus UP,1993. Lau,Joseph S.M.,ed.Chinese Stories from Taiwan,I960-1970.Foreword by C.T.Hsia.New York:Columbia UP,1976. ——.Ts'ao Y(u|¨),the Reluctant Disciple of Chekhov and O'Neill:A Study in Literary Influence.Hong Kong:Hong Kong UP,1970. ——,ed.The Unbroken Chain:An Anthology of Taiwan Fiction since 1926.Bloomington:Indiana UP,1983. Lau,Joseph S.M.,C.T.Hsia,and Leo Ou-Fan Lee,eds.Modern Chinese Stories and Novellas,1919-1949.New York:Columbia UP,1981. Laughlin,Charles A..Chinese Reportage:The Aesthetics of Historical Experience.Durham,NC:Duke UP,2002. ——,ed.Contested Modernities in Chinese Literature.New York:Palgrave Macmillan,2005. ——.The Literature of Leisure and Chinese Modernity.Honolulu:U of Hawaii P,2008. Lee,Haiyan.Revolution of the Heart:A Genealogy of Love in China,1900-1950.Stanford,CA:Stanford UP,2007. Lee,Leo Ou-fan,ed.Lu Xun and His Legacy.Berkeley:U of California P,1985. ——.The Romantic Generation of Modem Chinese Writers.Cambridge,MA:Harvard UP,1973. ——.Shanghai Modern:The Flowering of a New Urban Culture in China,1930-1945.Cambridge,MA:Harvard UP,1999. ——.Voices from the Iron House:A Study of Lu Xun.Bloomington:Indiana UP,1987. Lee,Mabel.Gao Xingjian:Aesthetics and Creation.Amherst,NY:Cambria P,2012. Li,Peter.Tseng P'u.Boston:Twayne,1980. Lieberman,Sally Taylor.The Mother and Narrative Politics in Modern China.Charlottesville:UP of Virginia,1998. Lin,Julia C..Essays on Contemporary Chinese Poetry.Athens:Ohio UP,1985. ——.Modem Chinese Poetry:An Introduction.Seattle:U of Washington P,1972. Link,E.Perry."Ideology and Theory in the Study of Modern Chinese Literature."Modern China 19.1(1993):4-12. ——.Mandarin Ducks and Butterflies:Popular Fiction in Early Twentieth-century Chinese Cities.Berkeley:University of California Press,1981. ——.The Uses of Literature:Life in the Socialist Chinese Literary System.Princeton,NJ:Princeton UP,2000. Liu,Jianmei.Revolution Plus Love:Literary History,Women's Bodies,and Thematic Repetition in TwentiethCentury Chinese Fiction.Honolulu:U of Hawaii P,2003. Liu,Kang.Aesthetics and Marxism:Chinese Aesthetic Marxists and Their Western Contemporaries.Durham,NC:Duke UP,2000. Liu,Kang.Globalization and Cultural Trends in China.Honolulu:U of Hawaii P,2004. ——."Politics,Critical Paradigms:Reflections on Modern Chinese Literature Studies."Modern China 19.1(1993):13-40. Liu,Kang,and Xiaobing Tang,eds.Politics,Ideology,and Literary Discourse in Modern China:Theoretical Interventions and Cultural Critique.Durham,NC:Duke UP,1993. Liu,Lydia H..Translingual Practice:Literature,National Culture,and Translated Modernity—China,1900-1937.Stanford,CA:Stanford UP,1995. Liu,Petrus.Stateless Subjects:Chinese Martial Arts Literature and Postcolonial History.Ithaca,NY:Cornell East Asian Program,2011. 刘绶松:《中国新文学史初稿》,上下册。北京:作家出版社,1956. [Liu,Shousong.A Draft History of Chinese New Literature.2vols.Beijing:China Writers Publishing House,1956.] Liu,Ts'un-yan,ed.Chinese Middlebrow Fiction:From the Ch'ing and Early Republican Eras.Hong Kong:Chinese UP,1984. Liu,Wu-chi.Su Man-shu.Boston:Twayne,1972. Louie,Kam.Theorising Chinese Masculinity:Society and Gender in China.Cambridge,UK:Cambridge UP,2002. ——,ed.Eileen Chang:Romancing Languages,Cultures and Genres.Hong Kong:Hong Kong UP,2012. Lovell,Julia.The Politics of Cultural Capital:China's Quest for a Nobel Prize in Literature.Honolulu:U of Hawaii P,2006. Lu,Jie,ed.China's Literary and Cultural Scenes at the Turn of the 21st Century.London:Routledge,2007. Lu,Sheldon H..China,Transnational Visuality,Global Postmodernity.Stanford,CA:Stanford UP,2001. ——.Chinese Modernity and Global Biopolitics:Studies in Literature and Visual Culture.Honolulu:U of Hawaii P,2007. ——."Notes on Four Major Paradigms in Chinese-Language Film Studies."Journal of Chinese Cinemas 6.1(2012):15-25. Lu,Tonglin.Misogyny,Cultural Nihilism and Oppositional Politics:Contemporary Chinese Experimental Fiction.Stanford,CA:Stanford UP,1995. Luo,Liang.The Avant-Garde and the Popular in Modem China:Tian Han and the Intersection of Performance and Politics.Ann Arbor:U of Michigan P,2014. Lyell,William A.,Jr.Lu Hs(u|¨)n's Vision of Reality.Berkeley:U of California P,1976. Mair,Victor H.,ed.The Columbia History of Chinese Literature.New York:Columbia UP,2001. Manfredi,Paul.Modern Poetry in Chinese:A Visual Verbal Dynamic.Amherst,NY:Cambria P,2014. Mao,Nathan K..Pa Chin.Boston:Twayne,1978. Martin,Fran.Situating Sexualities:Queer Representations in Taiwanese Fiction,Film and Public Culture.Hong Kong:U of Hong Kong P,2003. McDougall,Bonnie S..Fictional Authors,Imaginary Audiences:Modern Chinese Literature in the Twentieth Century.Hong Kong:Chinese UP,2003. ——.The Introduction of Western Literary Theories into Modern China,1919-1925.Tokyo:Centre for East Asian Cultural Studies,1971. ——Love-Letters and Privacy in Modem China:The Intimate Lives of Lu Xun and Xu Guangping.Oxford,UK:Oxford UP,2002. ——.ed.Popular Literature and Performing Arts in the People's Republic of China.Berkeley:U of California P,1984. McDougall,Bonnie S.,and Kam Louie.The Literature of China in the Twentieth Century.New York:Columbia UP,1997. McGrath,Jason.Postsocialist Modernity:Chinese Cinema,Literature,and Criticism in the Market Age.Stanford,CA:Stanford UP,2008. Moran,Thomas,ed.Chinese Fiction Writers,1900-1949.Columbia,SC:Bruccoli Clark Layman,2006. Moran,Thomas,and Ye(Dianna)Xu,eds.Chinese Fiction Writers,1950-2000.Detroit:Gale Cengage Learning,2013. Mostow,Joshua,ed.The Columbia Companion to Modem East Asian Literature.New York:Columbia UP,2003. Nieh,Hua-ling,ed.Literature of the Hundred Flowers.2Vols.New York:Columbia UP,1981. ——.Shen Ts'ung-wen.New York:Twayne,1972. Owen,Stephen."The Anxiety of Global Influence:What Is World Poetry?"New Republic(Nov.19,1990):28-32. Pickowicz,Paul G..Marxist Literary Thought in China:The Influence of Ch'(u|¨)Ch'iu-pai.Berkeley:U of California P,1981. Pickowicz,Paul G.,Kuiyi Shen,and Yingjin Zhang,eds.Liangyou,Kaleidoscopic Modernity and the Shanghai Global Metropolis,1926-1945.Leiden:Brill,2013. Pollard,David.A Chinese Look at Literature:The Literary Values of Chou Tso-jen in Relation to the Tradition.Berkeley:U of California P,1973. Prusek,Jaroslav."Basic Problems of the History of Modern Chinese Literature and C.T.Hsia,A History of Modem Chinese Fiction."T'oung Pao 49.4-5(1961):357-404. ——.The Lyrical and the Epic:Studies of Modern Chinese Literature.Ed.Leo Ou-fan Lee.Bloomington:Indiana UP,1980. ——.Three Sketches of Chinese Literature.Prague:Oriental Institute in Academia,1969. Pusey,James Reeves.Lu Xun and Evolution.Albany:State U of New York P,1998. Qian,Suoqiao.Liberal Cosmopolitan:Lin Yutang and Middling Chinese Modernity.Leiden:Brill,2011. Quah,Sy Ren.Gao Xingjian and Transcultural Chinese Theater.Honolulu:U of Hawaii P,2004. Rojas,Carlos,and Andrea Bachner,eds.The Oxford Handbook of Modern Chinese Literatures.Oxford,UK:Oxford UP,2016. Rojas,Carlos,and Eileen Cheng-yin Chow,eds.Rethinking Chinese Popular Culture:Cannibalizations of the Canon.London:Routledge,2009. Ross,Timothy.Chiang Kuei.Boston:Twayne,1974. Roy,David Tod.Kuo Mo-jo:The Early Years.Cambridge,MA:Harvard UP,1971. Sang,Tze-lan D..The Emerging Lesbian:Female Same-Sex Desire in Modem China.Chicago:U of Chicago P,2003. Schaffer,Kay,and Xianlin Song.Women Writers in Postsocialist China.London:Routledge,2013. Shen,Shuang.Cosmopolitan Publics:Anglophone Print Culture in Semi-Colonial Shanghai.Piscataway,NJ:Rutgers UP,2009. Shih,Shu-mei."The Concept of the Sinophone."PMLA126.3(2011):709-18. ——.The Lure of the Modern:Writing Modernism in Semicolonial China,1917-1937.Berkeley:U of California P,2001. ——.Visuality and Identity:Sinophone Articulations across the Pacific.Berkeley:U of California P,2007. Shu,Yunzhong.Buglers on the Home Front:The Wartime Practice of the Qiyue School.Albany:State U of New York P,2000. Slupski,Zbigniew.The Evolution of a Modern Chinese Writer:An Analysis of Lao She's Fiction with Biographical and Bibliographical Appendices.Prague:Czechoslavk Academy of Science,1966. ——,ed.A Selective Guide to Chinese Literature,1900-1949.Vol.Ⅱ.The Short Story.Leiden:Brill,1987. Tan,E.K..Rethinking Chineseness:Translational Sinophone Identities in the Nanyang Literary World.Amherst,NY:Cambria P,2013. Tang,Xiaobing.Origins of the Chinese Avant-garde:The Modern Woodcut Movement.Berkeley:U of Califo |
| [1] | 冯伟. 文学史视域下晚清通俗小说的接受困境与价值转向——以狭邪小说为例 [J]. 文艺理论研究, 2023, 43(1): 171-179. |
| [2] | 代亮.
归有光寿序经典地位的确立及其文学史意义 [J]. 文艺理论研究, 2022, 42(4): 144-152. |
| [3] | 池雷鸣. 华侨外语写作与文学史“再”重写 [J]. 文艺理论研究, 2022, 42(2): 54-64. |
| [4] | 李敏.
民国初年初等学校教育的“文学”纠葛 [J]. 文艺理论研究, 2022, 42(1): 96-105. |
| [5] | 郑雄. 八股文为“明代之胜”说的多维建构与瓦解 [J]. 文艺理论研究, 2021, 41(2): 146-157. |
| [6] | 竺洪波, 王新鑫. 域外汉学中的《西游记》叙述 [J]. 文艺理论研究, 2021, 41(1): 15-25. |
| [7] | 张英进. 作为华语电影史中变异/另类档案的电影海报 [J]. 文艺理论研究, 2019, 39(6): 33-45. |
| [8] | 常恒畅. 《国朝文汇》与20世纪初文学史观之关系 [J]. 文艺理论研究, 2019, 39(2): 126-133. |
| [9] | 肖锦龙. 重写和重写学——后结构主义文学史研究方法探论 [J]. 文艺理论研究, 2016, 36(6): 184-192. |
| [10] | 李松. 哈佛版《新美国文学史》的后现代主义文学史观及其反思 [J]. 文艺理论研究, 2016, 36(1): 201-208. |
| [11] | 夏伟. 论夏志清批评观的内涵构成及实例演示——《中国现代小说史》的一个细读角度 [J]. 文艺理论研究, 2015, 35(5): 36-50. |
| [12] | 唐芸芸. 文学史视域中的翁方纲宋诗学 [J]. 文艺理论研究, 2015, 35(5): 158-166. |
| [13] | 张英进. 阎连科与世界文学视野中的中国现代文学 [J]. 文艺理论研究, 2015, 35(4): 57-64. |
| [14] | 陈雪虎. 试析清末民初“文学研究法”的架构 [J]. 文艺理论研究, 2015, 35(3): 84-94. |
| [15] | 黄轶. 八九十年代以来现代文学的价值重建和文学史重构与海外研究 [J]. 文艺理论研究, 2014, 34(4): 27-36. |
| 阅读次数 | ||||||
|
全文 |
|
|||||
|
摘要 |
|
|||||
