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文艺理论研究 ›› 2016, Vol. 36 ›› Issue (4): 142-151.

• 古代文论与古代文学的理论研究 • 上一篇    下一篇

民国学者作家的传奇杂剧创作及其戏曲史意义

姚大怀   

  1. 安徽科技学院人文学院
  • 出版日期:2016-07-25 发布日期:2017-09-29
  • 作者简介:姚大怀,文学博士,安徽科技学院人文学院讲师,主要从事戏曲史与戏曲理论研究。
  • 基金资助:
    本文为国家社科项目“民国传奇杂剧史论”[项目编号:15BZW121]与安徽省教育厅人文社科重点项目“民国传奇杂剧文献综录”[项目编号:SK2015A314]阶段性成果。

Chuanqi & Zaju by Scholar Writers during the Republic of China Period and Their Significance in Drama History

Yao Dahuai   

  1. the School of Humanities, Anhui Science and Technology University (Fengyang 233100, China)
  • Online:2016-07-25 Published:2017-09-29
  • About author:Yao Dahuai, Ph.D., is a lecturer at the School of Humanities, Anhui Science and Technology University (Fengyang 233100, China). His research focuses on history and theories of xiqu.

摘要: 新文化运动爆发前,报人作家与遗民作家引领传奇杂剧的发展方向,而在此后,逐步取代报人作家与遗民作家并担负起创作主力的是学者作家。受民族危机、个体处境等因素的影响,学者剧作或旨在呼唤抗争精神,或意在表达惆怅情怀。作为民国时期曲学造诣最为深厚的群体,学者作家尊重戏曲本质,尤其在曲律、文词、结构等方面倾注较多心血,创作出一批案头与场上兼擅的佳作,代表了清末以来传奇杂剧创作的最高成就。学者作家的涌现,不仅解决了新文化运动后作家队伍断档的问题,延长了传奇杂剧的艺术生命,还为传奇杂剧重返戏曲舞台奠定坚实的基础,并为当下各剧种或戏曲文体的生存与发展指明了正确的方向。

关键词: 民国, 学者作家, 传奇杂剧, 创作历程, 主题建构, 艺术风貌

Abstract: Before the New Culture Movement, the development of chuanqi & zaju was directed by reporter writers and adherent writers. Hereafter, they were gradually replaced by scholar writers. Influenced by such factors as national crises and individual plights, scholar writers wrote plays to call upon the struggling spirit, or express their own melancholy. As they had the most profound attainment on traditional drama during the Republic of China, scholar writers respected the essence of drama, and especially devoted more in melody, phraseology and structure. They had the highest achievement in the creation of chuanqi & zaju since the late Qing Dynasty by creating a series of good plays that were both readable and performable. The emergence of scholar writers not only solved the problem of the lack of xiqu writers after the New Culture Movement and prolonged the lives of chuanqi & zaju, but also laid a solid foundation for their return to the xiqu stage. Furthermore, their endeavor could point out a right direction for survival and development of various contemporary xiqu genres or drama styles.

Key words: the Republic of China, scholar writers, chuanqi &, zaju, process of creation, thematic construction, artistic style