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文艺理论研究

文艺理论研究 ›› 2013, Vol. 33 ›› Issue (3): 48-54.

• 美学与文论研究 • 上一篇    下一篇

论文学作为艺术的几种方式

彭锋   

  1. 北京大学艺术学院；北京大学美学与美育研究中心
  • 出版日期:2013-05-25 发布日期:2013-06-25
  • 作者简介:彭锋，哲学博士，北京大学艺术学院教授，博士生导师，北京大学美学与美育研究中心研究员，美学专业，主要从事比较美学、分析美学、实用主义美学、现象学美学。

On Literature as an Art Form and its Ways

Peng Feng   

  1. the School of Arts, Peking University; the Research Center for Aesthetics and Aesthetic Education, Peking University
  • Online:2013-05-25 Published:2013-06-25
  • About author:Peng Feng, Ph.D, is a professor of Aesthetics and Art Criticism at the School of Arts, and a researcher at the Research Center for Aesthetics and Aesthetic Education, Peking University. His research interests cover comparative aesthetics, analytic aesthetics, pragmatist aesthetics, and phenomenological aesthetics.

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摘要： 本文力图论证文学作为艺术的一个门类，着重阐明文学作为艺术即文学性的三种方式：形式主义方式，本体论方式和程序论方式。形式主义强调文学性存在于具有某种特征的语言和叙事之中，比如陌生化的语言。本体论强调文学性存在于某种特定的存在之中，比如纯意向性对象。程序论强调文学性存在于适当的阅读态度之中，这种态度是长期的文学教育的结果。

关键词: 文学性, 形式主义, 艺术作品本体论, 程序定义

Abstract: This paper argues that literature is an art form and proposes three ways to approach the issue. The issue is then rephrased as three views of literariness: the formalist, the ontological and the procedural. The formalist view claims that the literariness exists in special linguistic and narrative features, such as defamiliarization. The ontological view emphasizes on a certain form of existence of the text and takes a literary work as a pure intentional object. The procedural view asserts that literariness exists in the appropriate attitude of reading as a result of long-term literature education.

Key words: literariness, formalism, ontology of art works, procedural definition