美是理念的直观显现——黑格尔美学的现象学阐释

文艺理论研究 ›› 2013, Vol. 33 ›› Issue (3): 180-188.

美是理念的直观显现——黑格尔美学的现象学阐释

苏宏斌

浙江大学中文系

出版日期:2013-05-25 发布日期:2013-06-25
作者简介:苏宏斌，浙江大学中文系教授，博士生导师，主要从事美学和文艺学基础理论研究，在现象学美学方面有一定专长。
基金资助:
本论文受到国家教委人文社会科学跨世纪优秀人才培养计划基金资助，为“审美直观与艺术真理”问题研究的中期成果，项目批准号[NCET-10-0738]。

Beauty as the Intuitive Presentation of Idea: a Phenomenological Interpretation of Hegel's Aesthetics

Su Hongbin

Department of Chinese, Zhejiang University

Online:2013-05-25 Published:2013-06-25
About author:Su Hongbin is a professor at Department of Chinese, Zhejiang University, with research interests in aesthetics and theories of literature and arts.

摘要/Abstract

摘要： 黑格尔的美学观来自于他的艺术观，他的艺术观又来自于他的艺术类型观和艺术史观。他的艺术类型观违背了他的逻辑原则，他的艺术史观又不符合艺术史的历史实践，因此他的美学观是站不住脚的。另一方面，黑格尔在精神哲学中提出了一种智性直观的思想，这种认识能力能够产生一种普遍表象。我们认为，这种普遍表象实际上就是处于直观状态的理念，这意味着理念可以借助于直观直接显现出来。由此出发，就可以把黑格尔的命题改写为“美是理念的直观显现”。由于艺术是直观活动的集中体现，因此成了把握真理的根本方式，黑格尔用哲学取代艺术的观点自然就站不住脚了。

关键词: 理念, 智性直观, 艺术终结论

Abstract: Hegel's aesthetic view derives from his view of arts, which grows out of his views of art typology and art history. However, his views of art typology contradict his logic principle, and his views of art history contradict the historical practice of art history, and Hegel's aesthetic view is therefore seriously undermined. On the other hand, Hegel’s idea of intellectual intuition proposed in philosophy of mind may serve as a cognitive ability and produce a general representation. This representation, we believe, is actually idea in its intuitive state, which means that idea can be directly presented by way of intuition. In this light, Hegel's proposition can be rephrased as "Beauty is the intuitive presentation of idea." Given that art is the embodiment of intuitive activity, art becomes the fundamental way to grasp the truth. It follows naturally that Hegel's effort to replace art with philosophy cannot hold ground.

Key words: idea, intellectual intuition, end-of-art

苏宏斌. 美是理念的直观显现——黑格尔美学的现象学阐释[J]. 文艺理论研究, 2013, 33(3): 180-188.

Su Hongbin. Beauty as the Intuitive Presentation of Idea: a Phenomenological Interpretation of Hegel's Aesthetics[J]. Theoretical Studies in Literature and Art, 2013, 33(3): 180-188.

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