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文艺理论研究

• “五四文学百年纪念”专题 • 上一篇    下一篇

被“征用”的主体——以“样板戏”中的反面人物钱守维为例

陈怡含   

  1. 武汉大学文学院
  • 出版日期:2019-05-25 发布日期:2019-06-28
  • 作者简介:陈怡含,武汉大学文学院文艺学专业在读博士生,主要从事西方文论与当代电影文化研究。

The "Expropriated" Subject: A Case Study of the Negative Character Qian Shouwei in "Model Plays"

Chen Yihan   

  1. the College of Chinese Language and Literature, Wuhan University
  • Online:2019-05-25 Published:2019-06-28
  • About author:Chen Yihan is a Ph. D. candidate at the College of Chinese Language and Literature, Wuhan University. Her research interest covers Western literary theory and contemporary Chinese film culture.

摘要: 学界本对“样板戏”中反面人物的解读不多,大致被“文艺”与“政治”,“意识形态”与“乌托邦”的二元关系和现代性视域下“主体”的生成两种研究路向主导。前者认为由于政治桎梏,文学自身创作特性未受到尊重;后者认为在主体的自我建构中,他者被符号化。通过引入阿甘本关于生命政治的思考,并以此为思考角度重新考察”样板戏”中的反西人物钱守维在生命政治领域中的境况,本文将努力还原反面人物在本体论意义上呈现出的复杂意涵,同时重新审视文本呈现出的文学与政治间的复杂关联。

关键词: 阿甘本, 生命政治, “样板戏”, 反面人物, 钱守维

Abstract: There are a few scholarly interpretations of negative characters in the eight "model plays". Generally, existing scholarship is mainly dominated by two research methodologies: first, the binary of "literature and art" and "politics", "ideology" and "Utopia", and second, the formation of "subject" from the perspective of modernity. The first methodology leads to the conclusion that due to political constraint, the creative characteristic of literature has not caught due attention; while in terms of the second, "the other" becomes a sign in the subject's self-construction. By introducing Agamben's idea of biopolitics, this article re-examines the situation of Qian Shouwei and restores the complex meanings of negative characters on the level of ontology, thus revisiting the complicated relationship between literature and politics as presented in the text.

Key words: Agamben, biopolitics, "model plays", negative characters, Qian Shouwei