欢迎访问《文艺理论研究》，
文艺理论研究

文艺理论研究

• “五四文学百年纪念”专题 • 上一篇    下一篇

皈依和漫游：“国家理论”视野中的夏衍——对夏衍文艺观及其电影剧作理论的一种读解

田星   

  1. 南阳师范学院
  • 出版日期:2019-05-25 发布日期:2019-06-28
  • 作者简介:田星，文学博士，复旦大学中文系博士后流动站在站博士后，南阳师范学院讲师。主要从事电影传播史和电影剧本创作史研究。
  • 基金资助:
    本文为中国博士后科学基金面上资助项目“当代中国电影剧本创作史：理论、作者、文本和传播”[项目编号：2017M621339]；南阳师范学院博士专项项目“中国艺术电影‘走出去’研究：历史、文本和思潮”[项目编号：ZX2016023]阶段性研究成果。

Conversion and Roaming: Xia Yan in the Vision of "the State Theories"

Tian Xing   

  1. Nanyang Normal University
  • Online:2019-05-25 Published:2019-06-28
  • About author:Tian Xing, Ph. D., is a post-doctoral researcher at Fudan University and lecturer at Nanyang Normal University. She mainly specializes in the history of film communication and screenwriting.
  • Supported by:
    the China Postdoctoral Science Foundation (2017M621339) and the special project for Ph. D.s by Nanyang Normal University (ZX2016023).

PDF (PC)

243

摘要： 新中国以来中国“本土”电影理论，尤其是国家主流电影理论的建构经历了一个曲折的历史过程。在不同的历史时期，电影理论建构的重点和特点，随着社会语境的变迁而发生变化，参与理论建构的学者们也会对自己的观点进行修正和调整。在这一学术发展史的背景下，夏衍本人的文艺观及其电影剧本创作理论在“本土”电影理论发展脉络中闪现出独特的价值，其从个人生活史的角度，为我们展现了理论建构史中的那些具体而微的真实。

关键词: 国家理论, 夏衍文艺观, 电影剧作理论

Abstract: Since the founding of P. R. China, "native" Chinese film theory, especially mainstream cinematic theoretical construction, experienced many twists and turns through its historical process. This article seeks to investigate the key points and features of cinematic theoretical construction throughout different historical phases, and theoreticians' simultaneous corrections and adjustments of their theories according to changing social contexts. Under such historical background of academic development, Xia Yan's artistic outlook and development of screenwriting theories against the development of "native" cinematic theory displayed unique value, and thus the detailed and concrete truth of theoretical construction was brought to light from the perspective of individual life history.

Key words: the state theories, Xia Yan's artistic outlook, screenwriting theories