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文艺理论研究 ›› 2018, Vol. 38 ›› Issue (4): 196-206.

• 西方文论与美学研究 • 上一篇    下一篇

复调小说与复调音乐

钱浩   

  1. 清华大学人文学院
  • 出版日期:2018-09-25 发布日期:2018-10-22
  • 作者简介:钱浩,清华大学人文学院博士生,主要从事中西比较文艺学和音乐美学研究。
  • 基金资助:
     

Polyphonic Novel and Polyphonic Music

Hao Qian   

  1. School of Humanities at Tsinghua University
  • Online:2018-09-25 Published:2018-10-22
  • About author:Hao Qian is a Ph.D. Candidate in the School of Humanities at Tsinghua University. His research interests cover Chinese and Western comparative literature and art and music aesthetics.
  • Supported by:
     

摘要: 巴赫金定义的“复调小说”与西方复调音乐之间既有某种共性,也存在许多重大差别,例如交锋与和谐、多元与一元、对峙与模仿、未完成性与完满收束以及时代背景的不同等许多方面。了解这些差异,以及音乐上的“对位”“多调性”等概念,会有助于避免相关术语的跨学科误用。相比于“复调”,能和“独白型小说”构成恰切对应的术语也许是“对话型小说”,因为“对话”不仅是巴赫金诗学体系的核心,能涵盖“复调”一词所想表达的各种内含,也是他所定义的复调小说的本质特征。判断一部小说是否是巴赫金意义上的复调小说,有无“对话性”是首要标准。

关键词: 巴赫金, 复调小说, 复调音乐, 对话性, 对位

Abstract: Besides some similarity, there are many differences between Bakhtin's "Polyphonic Novel" and Western polyphonic music, for example conflict and harmony, pluralism and monism, confrontation and imitation, incompletion and perfect termination, historical background and many other aspects. Realization of these, and some concepts like counterpoint and bitonality in musical senses, will help us avoid interdisciplinary misusing of these terms. Compared to "polyphonic", "dialogical novel" may be the more suitable antonym of "monologic novel", because "dialogue", which can include various meanings that the term "Polyphony" wants to express, is not only the core of Bakhtin's poetics, but also the essential feature of the "Polyphonic Novel" which he defined. In addition, the most important standard for the judgement of a novel as to whether or not it belongs to "Polyphonic Novel" as defined by Bakhtin's is whether a novel has "dialogue".

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