曹雪芹 高鹗:《红楼梦1》。北京:人民文学出版社,1964年。
[Cao, Xueqin, and Gao E. A Dream of Red Mansions. Vol. 1. Beijing: People's Literature Publishing House, 1964.]
——:《红楼梦4》。北京:人民文学出版社,1981年。
[---. A Dream of Red Mansions. Vol. 4. Beijing: People's Literature Publishing House, 1981.]
米歇尔·福柯:《词与物 人文科学的考古学》,莫伟民译。上海:上海三联书店,2016年。
[Foucault, Michel. Les Mots et les choses: une archéologie des sciences humaines. Trans. Mo Weimin. Shanghai: Shanghai Joint Publishing Company. 2016.]
伏雌教主编:《新撰醋葫芦小说》。明崇祯笔耕山房刊本。
[Fuci jiaozhu, ed. Newly Written Fictions of the Vinegar Gourd. Block-printed edition in the reign of Chongzhen in the Ming dynasty.]
高去寻:《殷代的一面铜镜及其相关之问题》,《“中央研究院”历史语言研究所集刊》29下(1958):658—719。
[Gao, Quxun. “A Bronze Mirror from the Yin Dynasty and Related Issues.” Journal of the Institute of History and Philology, Academia Sinica 29(1958): 658719.]
郭沫若:《三门峡出土铜器二三事》,《文物》1(1992):13—15。
[Guo, Moruo. “On the Bronzes Unearthed from Sanmenxia.” Cultural Relics 1(1992):1315.]
何堂坤:《铜镜起源初探》,《考古》2(1988):173—176。
[He, Tangkun. “A Preliminary Study of the Origin of Bronze Mirrors.” Archeology 2(1988):173176.]
金卫东主编:《明清风俗画》(故宫博物院藏文物珍品大系)。北京:商务印书馆,2008年。
[Jin, Weidong, ed. Ming and Qing Genre Paintings (A Collection of Treasured Cultural Relics in the Palace Museum). Beijing: The Commercial Press, 2008.]
荆石山民:《红楼梦散套》。清嘉庆间蟾波阁刊本。
[Jingshi shanmin. A Dream of Red Mansions. Block-printed edition in the reign of Jiaqing in the Qing dynasty.]
梁上椿:《古镜研究总论》,《大陆杂志》5.5(1952):9—13。
[Liang, Shangchun. “A General Introduction to the Study of Ancient Mirrors.” The Continent Magazine 5.5(1952):913.]
林芝卉:《镜像语境下的视觉重构》,中国美术学院硕士学位论文,2021年。
[Lin, Zhihui. “Visual Reconstruction in the Context of Mirror Image.” Master thesis: China Academy of Art, 2021.]
凌濛初编撰:《二刻拍案惊奇》。明崇祯五年尚友堂刊本。
[Ling, Mengchu. Slapping the Table in Amazement(Part II). Block-printed edition in 1632.]
闵齐伋 何璧:《明闵齐伋绘刻西厢记彩图·明何璧校刻西厢记》。上海:上海古籍出版社,2005年。
[Min, Qiji, and He Bi. Colored Illustrations of Romance of the West Chamber Painted and Engraved by Min Qiji in the Ming Dynasty; Romance of the West Chamber Annotated and Engraved by He Bi in the Ming Dynasty. Shanghai: Shanghai Chinese Classics Publishing House, 2005.]
W. J. T. 米歇尔:《图像学:形象、文本、意识形态》,陈永国译。北京:北京大学出版社,2020年。
[Mitchell, W.J.T. Iconology: Image, Text, Ideology. Trans. Chen Yongguo. Beijing: Peking University Press, 2020.]
蒲松龄:《详注聊斋志异图咏》。清光绪十七年上海书局石印。
[Pu, Songling. Annotated and Illustrated Strange Stories from a Chinese Studio. Block-printed edition in 1891.]
——:《全本新注聊斋志异 3》,朱其铠主编,李茂肃等校注。北京:人民文学出版社,1989年。
[---. The Complete and Annotated Strange Stories from a Chinese Studio. Vol. 3. Eds. Zhu Qikai and Li Maosu, et al. Beijing: People's Literature Publishing House, 1989.]
施巧珊:《17—19世纪仕女对镜图研究》,福建师范大学硕士学位论文,2021年。
[Shi, Qiaoshan. A Study of Mirror Images of Ladies in the 17th-19th Centuries. Master thesis: Fujian Normal University, 2021.]
孙崇涛:《古本琵琶记汇编 册三》。北京:中华书局,2007年。
[Sun, Chongtao. A Collection of Ancient Editions of The Tale of Pipa. Vol. 3. Beijing: Zhonghua Book Company, 2007.]
汤显祖:《牡丹亭记四卷》,臧懋循评。明末茅暎刻朱墨套印本。
[Tang, Xianzu. The Peony Pavilion (Four Volumes). Ed. Zang Maoxun. Block-printed edition in the late Ming dynasty.]
——:《临川四梦》。明末吴郡书业堂翻刊六十种曲本。
[---. Four Dreams by Tang Xianzu. Block-printed edition in the late Ming dynasty.]
——:《牡丹亭》。北京:人民文学出版社,1963年。
[---. The Peony Pavilion. Beijing: People's Literature Publishing House, 1963.]
——:《牡丹亭还魂记》。明万历间石林居士序刻本。
[---. The Peony Pavilion. Block-printed edition in the reign of Wanli in the Ming dynasty.]
田汝成:《西湖游览志余》。杭州:浙江人民出版社,1980年。
[Tian, Rucheng. A Record of Travelling to the West Lake. Hangzhou: Zhejiang People's Publishing House, 1980.]
王实甫:《北西厢记》,关汉卿续,李贽、王世贞评。明万历三十八年起凤馆刊本。
[Wang, Shifu. The Northern (Zaju) Version of Romance of the West Chamber. Eds. Guan Hanqing, Li Zhi, and Wang Shizhen. Block-printed edition in 1610.]
文林阁编辑:《牡丹亭》卷四,《绣像传奇十种》。郁郁堂藏板,明代合刊本。
[Wenlinge, ed. The Peony Pavilion, Vol.4 Ten Legendary Embroideries. Block-printed edition in the Ming dynasty.]
巫鸿:《时空中的美术》。北京:生活·读书·新知三联书店,2021年。
[Wu, Hong. Art in Time and Space. Beijing: SDX Joint Publishing Company. 2021.]
——:《物·画·影:穿衣镜全球小史》。上海:上海人民出版社,2020年。
[---. Objects, Paintings, and Shadows: A Global History of Dressing Mirrors. Shanghai: Shanghai People's Publishing House. 2020.]
——:《“空间”的美术史》。上海:上海人民出版社,2017年。
[---. The Art History of “Space”. Shanghai: Shanghai People's Publishing House. 2017.]
徐坚等辑:《初学记》。明嘉靖十年锡山安国桂坡馆刊本。
[Xu, Jian, et al., eds. Materials for Elementary Instruction. Block-printed edition in 1531.]
徐江枫:《铜镜映浮生——东汉至清时期以镜入画的图像表征和文化隐喻》,上海大学硕士学位论文,2020年。
[Xu, Jiangfeng. “The Image Representation and Cultural Metaphor of Mirrors in Chinese Painting.” Master thesis: Shanghai University, 2020.]
徐丽苹:《明镜与红妆:明代女性作品中的“镜子”意象与自我呈现》,上海师范大学硕士学位论文,2022年。
[Xu, Liping. “Bright Mirror and Red Make-up: The ‘Mirror’ Image and Self Presentation in Ming Women's Works.” Master thesis: Shanghai Normal University, 2022.]
徐爔:《写心杂剧十八种》。清乾隆五十四年梦生堂刊本。
[Xu, Xi. Eighteen Types of Zaju. Block-printed edition in 1789.]
虞世南:《大唐类要(北堂书钞)》。清道光间顾沅艺海楼精钞本。
[Yu, Shinan. Reference Book of the Great Tang. Hand-copied edition in the reign of Daoguang in the Qing dynasty.]
虞英:《“屏”与“镜”——中西传统绘画画中“像”与画中“人”的关系研究》,南京艺术学院博士学位论文,2013年。
[Yu, Ying. “‘Screen’ and ‘Mirror’: A Study of the Relationship between ‘Image’ and ‘Person’ in Traditional Chinese and Western Paintings.” Ph.D. diss.: Nanjing University of the Arts, 2013.]
岳慎礼:《青铜镜探源》,《大陆杂志》17.5(1958):16—17。
[Yue, Shenli. “Exploring the Origin of Bronze Mirrors.” The Continent Magazine 17.5(1958):1617.]
张海鸥:《论词的叙事性》,《中国社会科学》2(2004):148—161。
[Zhang, Haiou. “Ci-poetry as a Narrative Genre.” Social Sciences in China 2(2004):148161.]
赵佳佳:《明清梳妆仕女图探析》,西北师范大学硕士学位论文,2019年。
[Zhao, Jiajia. “A Probe into the Figure of Dressing Women in the Ming and Qing Dynasties.” Master thesis: Northwest Normal University, 2019.]
朱耘漫:《清乾嘉时期曲本插图研究》,华中师范大学硕士学位论文,2022年。
[Zhu, Yunman. “A Study of Block-printed Opera Illustrations from the Reigns of Qianlong to Jaiqing in the Qing Dynasty.” Master thesis: Central China Normal University, 2022.] |
