无名氏:《梼杌闲评》,金心点校。北京:中华书局,2005年。
[Anonymous. Casual Commentaries of Tao Wu. Ed. Jin Xin. Beijing: Zhonghua Book Company, 2005.]
无名氏:《和戎记》。《古本戏曲丛刊二集》影印明金陵富春堂刊本。
[Anonymous. Story of He Rong. Collection of Ancient Opera Scripts. Vol.2. Reprinted from the Ming Dynasty Jinling Fuchun Hall edition.]
无名氏:《白袍记》。《古本戏曲丛刊初集》影印明金陵富春堂刊本。
[Anonymous. Story of the White Gown. Collection of Ancient Opera Scripts. Vol.1. Reprinted from the Ming Dynasty Jinling Fuchun Hall edition.]
白之:《一个戏剧题材的演化——〈白兔记〉诸异本比较》,《文艺研究》4(1987):70—77。
[Bai, Zhi. “The Evolution of a Dramatic Subject: A Comparative Study of Various Versions of The White Rabbit.” Literature & Art Studies 4(1987):7077.]
陈历明:《广东出土明本戏文》。广州:广东人民出版社,2009年。
[Chen, Liming. Ming Dynasty Opera Scripts Unearthed in Guangdong. Guangzhou: Guangdong People's Publishing House, 2009.]
陈志勇:《孤本传奇〈八义记〉与明代“赵氏孤儿”改本戏文——兼及改本戏文形态及性质的再讨论》。《中山大学学报》5(2022):62—71。
[Chen, Zhiyong. “The Unique Edition of Chuanqi The Eight Righteous Men and the Modified Opera Scripts of the Ming Dynasty's The Orphan of Zhao.” Journal of Sun Yat-sen University 5(2022):6271.]
《李卓吾先生批评琵琶记》卷末。中国国家图书馆藏明刊本。
[Epilogue of Mr. Li Zhuowu's Critique of The Story of the Lute. Collected at National Library of China, Ming edition.]
高明:《琵琶记》卷尾。《古本戏曲丛刊初集》影印清陆贻典抄本。
[Gao, Ming. Epilogue of The Story of the Lute. Collection of Ancient Opera Scripts. Vol.1. Reproduction of the Qing Dynasty handwritten copy by Lu Yidian.]
——:《元本琵琶记校注》,钱南扬校注。上海:上海古籍出版社,1980年。
[---: Annotated Edition of the Yuan Dynasty Version of The Story of the Lute. Ed. Qian Nanyang. Shanghai: Shanghai Chinese Classics Publishing House, 1980.]
郭英德:《明清传奇史》。南京:江苏古籍出版社,1999年。
[Guo, Yingde. A History of Ming-Qing Chuanqi Opera. Nanjing: Jiangsu Ancient Books Publishing House, 1999.]
——:《明清传奇戏曲文体研究》。北京:商务印书馆,2004年。
[---. A Study of the Literary Style of Ming-Qing Chuanqi Opera. Beijing: Commercial Press, 2004.]
何良俊:《曲论》,《中国古典戏曲论著集成 四》,中国戏曲研究院编。北京:中国戏剧出版社,1959年。1—14。
[He, Liangjun. “Theory of Qu Opera.” Collected Works on Classical Chinese Opera. Vol.4. Ed. The Chinese National Academy of Chinese Opera. Beijing: China Theatre Press, 1959.114.]
兰陵笑笑生:《金瓶梅》。北京:人民文学出版社,2000年。
[Lanling Xiaoxiaosheng. The Plum in the Golden Vase. Beijing: People's Literature Publishing House, 2000.]
李渔:《闲情偶寄》卷五,《中国古典戏曲论著集成 七》。北京:中国戏剧出版社,1959年。97—114。
[Li, Yu. Casual Notes in a Leisurely Mood. Vol.5. Collection of Classical Chinese Opera Theoretical Works. Vol.7. Beijing: China Drama Publishing House, 1959.97114.]
廖奔:《南戏体制变化二例》,《南戏国际学术研讨会论文集》,温州市文化局编。北京:中华书局,2001年。5—13。
[Liao, Ben. “Changes in the Nanxi System: Two Examples.” Proceedings of the International Symposium on Nanxi. Ed. The Wenzhou Municipal Bureau of Culture. Beijing: Zhonghua Book Company, 2001.513.]
刘念兹:《嘉靖写本〈琵琶记〉校录后记》。《戏曲研究》第3辑。长春:吉林人民出版社,1980年。110—128。
[Liu, Nianzi. “Postscript to the Jiajing Edition of The Story of the Lute.” Traditional Chinese Drama Research. Vol.3. Changchun: Jilin People's Publishing House, 1980.110128.]
龙赛州:《论中国古典戏剧分场形式的变化》,《戏剧艺术》4(2015):32—41。
[Long, Saizhou. “Changes in the Forms of Chinese Classical Drama Scenes.” Theatre Arts 4(2015):3241.]
欧阳江琳:《南戏演剧形态研究》。广州:广东高等教育出版社,2019年。
[Ouyang, Jianglin. A Study on the Performance Forms of Nanxi Opera. Guangzhou: Guangdong Higher Education Press, 2019.]
潘之恒:《潘之恒曲话》,汪效倚辑注。北京:中国戏剧出版社,1988年。
[Pan, Zhiheng. Pan Zhiheng's Commentaries on Qu Opera. Ed. Wang Xiaoyi. Beijing: China Theatre Press, 1988.]
祁彪佳:《祁彪佳日记》卷九,张天杰点校。杭州:浙江古籍出版社,2016年。367—419。
[Qi, Biaojia. Qi Biaojia's Diary. Vol.9. Ed. Zhang Tianjie. Hangzhou: Zhejiang Ancient Books Publishing House, 2016.367419.]
钱南扬:《戏文概论》。上海:上海古籍出版社,1981年。
[Qian, Nanyang. Introduction to Opera Scripts. Shanghai: Shanghai Chinese Classics Publishing House, 1981.]
任半塘:《唐戏弄》。上海:上海古籍出版社,1984年。
[Ren, Bantang. Tang Theatrical Arts. Shanghai: Shanghai Chinese Classics Publishing House, 1984.]
沈德符:《万历野获编》卷二十五。北京:中华书局,1959年。628—652。
[Shen, Defu. Unofficial History during the Wanli Period. Vol.25. Beijing: Zhonghua Book Company, 1959.628652.]
孙书磊:《〈改定元贤传奇〉考论》,《南京图书馆藏孤本戏曲丛考》。北京:中华书局,2011年。9—99。
[Sun, Shulei. “A Study of Revised Plays by Yuan Authors.” Collection and Study of Rare Books on Opera in the Nanjing Library. Beijing: Zhonghua Book Company, 2011.999.]
天池道人:《南词叙录》,《中国古典戏曲论著集成 三》,中国戏曲研究院编。北京:中国戏剧出版社,1959年。233—256。
[Tianchi Daoren. “Account of Southern Plays”. Collected Works on Classical Chinese Opera, Vol.3. Ed. The Chinese National Academy of Chinese Opera. Beijing: China Theatre Press, 1959.233256.]
王实甫:《西厢记》,《古本戏曲丛刊初集》。影印明弘治间金台岳家刻本。
[Wang, Shifu. The West Chamber. Collection of Ancient Opera Scripts. Vol.1. Block-printed Edition from the Yue Family of Jintai in the Hongzhi Period of the Ming Dynasty.]
汪廷讷:《狮吼记又叙》,万历间环翠堂刻本《狮吼记》卷首。
[Wang, Tingne. “A Second Preface to Lioness Roars.” Block-printed Edition of Lioness Roars during the Wanli Period.]
吴南生等编:《明本潮州戏文五种》。广州:广东人民出版社,2007年。
[Wu, Nansheng, et al., eds. Five Chaozhou Opera Scripts from the Ming Dynasty. Guangzhou: Guangdong People's Publishing House, 2007.]
解玉峰:《南戏本不必有“套” 北剧原不必分“折”——关于南、北戏交流的一点思辨》,《中华戏曲》第25辑。北京:文化艺术出版社,2001年。84—95。
[Xie, Yufeng. “There Is No Need for ‘Sets’ in South Opera, and No Need for ‘Folds’ in North Opera: A Speculation on the Exchange between South and North Opera.” Chinese Traditional Opera. Vol.25. Beijing: Cultural and Art Publishing House, 2001.8495.]
徐扶明:《元代杂剧艺术》。上海:上海文艺出版社,1981年。
[Xu, Fuming. Art of Variety Drama in the Yuan Dynasty. Shanghai: Shanghai Literature and Art Publishing House, 1981.]
雪蓑渔者:《宝剑记序》。嘉靖二十六年(1547年)刻本卷首。
[Xuesuo Yuzhe. “Preface to The Story of the Sword.” Block-printed Edition in 1547.]
臧懋循改订:《紫钗记》。明万历刻本。
[Zang, Maoxun, ed. The Purple Hairpin. Block-printed Edition in the Wanli Period.]
张岱:《陶庵梦忆》卷四,《陶庵梦忆;西湖梦寻》马兴荣点校。北京:中华书局,2007年。1—106。
[Zhang, Dai. Dreams of the Tao'an Studio. Vol.4. Ed. Ma Xingrong. Beijing: Zhonghua Book Company, 2007.1106.]
朱浩:《〈风月锦囊〉图题与戏曲出目的形成:意义与局限》,《文化遗产》5(2021):65—72。
[Zhu, Hao. “The Formation of Illustrations and Division Titles in The Brocade Sachet of Breeze and Moonlight: Significance and Limitations.” Cultural Heritage 5(2021):6572.] |
