关键词: 斯蒂格勒, 博伊斯, 社会雕塑, 参与的丧失, 象征的贫困, 独异性

Abstract: Bernard Stiegler believes that participation is a condition for the acting out of noetic soul, but participation's dependence on technology simultaneously leads to the “loss of participation” and “symbolic misery”. In the hyper-industrial society, in particular, marketing technology controls people's time of consciousness and leads to the prevailing “proletarianization” among consumers. Stiegler sees in Beuys' social sculpture use to resist the “loss of participation”, attempting to continue this idea by reviving the concept of amateurs. In the form of free invention, amateurs realize potential and form singularity in the process. This is a new art form, which also reinvents politics, namely the politics of singularity. Through obtaining their own time, amateurs shape the time of community and complete the task of social sculpture.

Key words: Bernard Stiegler, Joseph Beuys, social sculpture, loss of participation, symbolic misery, singularity