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文艺理论研究 ›› 2023, Vol. 43 ›› Issue (5): 1-10.

• 中国特色社会主义文论话语体系研究·文学图像研究专题 •    下一篇

刘商《胡笳十八拍》与李唐《文姬归汉图》图文关系研究

伏俊琏, 郝雪丽   

  • 出版日期:2023-09-25 发布日期:2023-11-15
  • 作者简介:伏俊琏,文学博士,西华师范大学文学院教授,主要从事敦煌文学和古代文学文献研究。通讯地址:四川省南充市顺庆区师大路1号西华师范大学文学院。电子邮箱:fujunlian@126.com。郝雪丽,管理学博士,复旦大学中华古籍保护研究院博士后,主要从事敦煌文献研究。通讯地址:上海市杨浦区五角场街道国定路505弄9号楼。电子邮箱:idahao@163.com。
  • 基金资助:
    国家社科基金重大项目“5—11世纪中国文学写本整理研究”[项目编号:16ZDA175]阶段性成果。

A Study of the Relationship between Image and Text of Eighteen Stanzas on the Reed Pipe by Liu Shang and the Picture of Wenji's Return from Captivity by Li Tang

  • Online:2023-09-25 Published:2023-11-15
  • About author:Fu Junlian, Ph.D., is a professor in the School of Chinese Language and Literature, China West Normal University. His research interest includes Dunhuang literature and ancient Chinese literature. Address: School of Chinese Language and Literature, China West Normal University, 1 Normal University Road, Shunqing District, Nanchong 637002, Sichuan Province, China. Email: fujunlian@126.com. Hao Xueli, Ph.D., is a postdoctorate researcher in the Institute for the Protection of Ancient Chinese Books, Fudan University. Her research interest is Dunhuang documents. Address: Building 9, Lane 505, Guoding Road, Wujiaochang Street, Yangpu District, Shanghai 200092, China. Email: idahao@163.com.
  • Supported by:
    Major Project of National Social Sciences Fund (16ZDA175).

摘要: “文姬归汉”故事在文学、绘画领域为后世文艺作品间接或直接提供了创作素材与艺术灵感,涌现出了众多同一题材的作品。唐人刘商的《胡笳十八拍》与宋人李唐的《文姬归汉图》是“文姬归汉”故事在文学、绘画领域的代表作品,两个作品主题的形成,有着深刻的历史原因、社会原因和个人因素,是诗人和画家对于相同题材和主题的不同生命体验。比较文学与图像表现同一主题的现象,可以发现诗意可拓展画境,画境亦能再现诗意。

关键词: 胡笳十八拍, 刘商, 李唐, 诗画比较

Abstract: In the fields of literature and painting, the story of Cai Wenji's return from captivity has provided creative materials and artistic inspiration for later literary and artistic creations, and numerous works on the same theme have been created. Eighteen Stanzas on the Reed Pipe by Liu Shang in the Tang dynasty and Picture of Wenji's Return from Captivity by Li Tang in the Song dynasty are the representations of this story. The formation of the themes in these two works is deeply influenced by historical factors, societal influences, and personal elements. They represent the distinct life experiences of the poet and the painter regarding the same subject and theme. Comparing the phenomenon of expressing the same theme through literature and visual representation, this article argues that poetry extends the boundaries of the picturesque scene, and the picturesque scene is also capable of recreating poetic sentiments.

Key words: Eighteen Stanzas on the Reed Pipe, Liu Shang, Li Tang, comparison between poetry and painting