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文艺理论研究

文艺理论研究 ›› 2016, Vol. 36 ›› Issue (3): 128-135.

• 西方文论与美学研究 • 上一篇    下一篇

从文本游戏到暴力起源：论德里达与基拉尔的摹仿观念

路程   

  1. 上海外国语大学文学研究院
  • 出版日期:2016-05-25 发布日期:2021-05-09
  • 作者简介:路程，文学博士，上海外国语大学文学研究院博士后，主要从事当代西方文论和美学理论研究。
  • 基金资助:
    本文系中国博士后科学基金第57批面上资助“勒内，基拉尔的摹仿理论研究”[项目编号2015M570378]，和上海市高校青年教师培养资助计划“勒内·基拉尔的摹仿理论研究”[项目编号YQ15LC001]的阶段性成果。

From the Text Game to the Source of Violence: the Idea of Mimesis in Derrida and Girard

Lu Cheng   

  1. Shanghai Internatianal Studies University (Shanghai 200083, China)
  • Online:2016-05-25 Published:2021-05-09
  • About author:Lu Cheng, Ph.D., is a post-doctoral fellow in the Instilute of Literary Stulies, Shanghai Internatianal Studies University (Shanghai 200083, China). Her main academic interest is contemporary western literary and aesthetic theories.

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摘要：

尽管再现式摹仿论从十九世纪起不再占据西方文论主流，但将文学艺术看作是某种“摹仿”活动的结果，这一观念至今仍有不可忽视的影响力。本文以德里达的解构主义摹仿论与基拉尔的人类学摹仿论为例，从摹仿作为文本游戏和暴力起源这两个维度阐明摹仿的逻辑依然深刻存在于今天的文学理论话语之中。摹仿理论具有的非暴力性地关涉他者和异质性的伦理维度，使其具有直面当代思想困境及社会矛盾的姿态，是暴力远未平息的产物。

关键词: 摹仿, 德里达, 基拉尔, 文本游戏, 暴力

Abstract: Although the mimetic theory of representation was no longer the mainstream of western literary theory since the 19th century, the idea of regarding arts and literature as the result of "mimetic" acts still has tremendous impact today. Taking Derrida's deconstructive theory of mimesis and Rene Girand's anthropological theory of mimesis as examples and focusing on mimesis as text game and the source of violence, this article attempts to demonstrate that the logic of mimesis is still deeply rooted in the discourse of literary theory nowadays. As the minetic theory has the ethical dimension of relating to others and heterogeneity through non-violence, it is capable of directly confronting social conflicts and dilemmas in contemporary thoughts. The mimetic theory is a product of ceaseless violence.

Key words: mimesis, Jarques Derrida, Rene Girard, text game, violence