论汉画像历史故事的两种图像叙事模式及其形成机制——以“赵氏孤儿”为例

文艺理论研究 ›› 2024, Vol. 44 ›› Issue (1): 58-68.

• 古代文论与古代文学的理论研究 • 上一篇下一篇

论汉画像历史故事的两种图像叙事模式及其形成机制——以“赵氏孤儿”为例

朱浒

出版日期:2024-01-25 发布日期:2024-03-07
作者简介:朱浒,美术学博士,历史学博士后,华东师范大学美术学院教授,博士生导师,主要从事美术史与美术考古学研究。
基金资助:
国家社会科学基金重点项目“美术考古视域下《历代名画记》所述唐以前绘画的复原研究”[项目编号:22AF09]阶段性成果。

Two Narrative Modes and Their Formation Mechanisms in the Historical Stories Depicted in Han Dynasty Pictorial Arts: A Study with a Focus on “The Orphan of the Zhao Family”

Zhu Hu

Online:2024-01-25 Published:2024-03-07
About author:Zhu Hu, Ph.D., is a professor at the College of Fine Arts, East China Normal University. His research interests include art history and art archeology.
Supported by:
Key Project of National Social Sciences Fund (22AF09).

摘要/Abstract

摘要： “赵氏孤儿”是汉画像历史故事中的一个著名案例,其图像目前已知存三处。山东嘉祥武氏祠画像存两例,其中一例带有“榜题”,均采用瞬间叙事。河南南阳杨官庄汉墓存一例,图像分四层,“赵氏孤儿”与“獒咬赵盾”并列,采用分层式连环画叙事。本文考证出江苏徐州白集汉墓前室北横梁上存一例不为人知的“赵氏孤儿”图像,采用长卷式连环画叙事,依时间顺序描绘了四个精彩瞬间。汉画像历史故事的图像叙事从单幕走向多幕,应受到早期青铜画像叙事传统、汉画发展内在规律、图像载体转换、地域性差异等因素的共同影响。

关键词: 汉画, 历史故事, 赵氏孤儿, 白集汉墓, 图像叙事

Abstract: “The Orphan of the Zhao Family” is a well-known case in the historical stories depicted in Han Dynasty pictorial arts, with three known existing places housing the images. Two of them are in the Wu Clan Temple, Jiaxiang County, Shandong Province, with one bearing an inscription, both adopting the momentary narrative mode. The other is found in a Han tomb at Yangguan Village, Nanyang, Henan Province, where the image is divided into four layers, presenting ” The Orphan of the Zhao Family” along with “The Mastiff Biting Zhao Dun” in a layered sequential narrative. In this paper, the author verifies the existence of an unknown image of “The Orphan of the Zhao Family” on the north beam in the front chamber of the Han Tomb in Baiji, Xuzhou, Jiangsu Province. This image adopts a scroll-style continuous narrative, depicting four captivating moments in chronological order. The transition from a single scene to multiple scenes in the visual narrative of historical stodies in Han Dynasty pictorial arts is influenced by factors such as the earlier tradition of narrative in bronze pictorial arts, the inherent development patterns of Han Dynasty paintings, the transformation of image carriers, and regional differences.

Key words: Han Dynasty pictorial arts, historical stories, The Orphan of the Zhao Family, Baiji Han Tomb, pictorial narrative

朱浒. 论汉画像历史故事的两种图像叙事模式及其形成机制——以“赵氏孤儿”为例[J]. 文艺理论研究, 2024, 44(1): 58-68.

Zhu Hu. Two Narrative Modes and Their Formation Mechanisms in the Historical Stories Depicted in Han Dynasty Pictorial Arts: A Study with a Focus on “The Orphan of the Zhao Family”[J]. Theoretical Studies in Literature and Art, 2024, 44(1): 58-68.

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论汉画像历史故事的两种图像叙事模式及其形成机制——以“赵氏孤儿”为例

Two Narrative Modes and Their Formation Mechanisms in the Historical Stories Depicted in Han Dynasty Pictorial Arts: A Study with a Focus on “The Orphan of the Zhao Family”

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