新时期以来的文学生产场域中,作家或编辑出于多种因素影响会对文本作出主动或被动修改,导致作品版本变迁和文本变异,版本问题已经成为显在学术现象。理论资源上,新时期文学版本汇校是一种融汇传统校勘和西方现代校勘所长,兼备“汇异式校勘”与“会意式整理”的版本汇校新方式,能丰富当前文学文本研究的问题和方法论意识,但目前新时期文学版本汇校及文本演变研究并未引起足够的重视。新时期文学版本从目录、校勘到阐释的研究路径,既涵盖版本文献资料的搜集整理,又深入到文本内容的阐释和分析,深度融合“版本”与“内容”、“外部”与“内部”研究,相得益彰,相辅相成。从何以可能、何以可鉴到何以可为,呈现了新时期文学版本研究的必要与可能。

In the realm of literary production since the New Era, writers or editors have actively or reactively modified texts due to various factors, resulting in variations of the work's versions as well as the texts themselves. The issue of version variance has become a prominent academic phenomenon. In terms of theoretical resources, the collation of literary editions in the New Era integrated traditional and modern Western modern collation methods. This represented a novel approach to compiling and proofreading versions that combined “divergent proofreading” and “cognitive organization,” thereby enhancing problematic and methodological awareness in current literary research. However, research on the collation of literary editions and the evolution of texts in the New Era has not received significant academic attention. The research trajectory of literary editions in the New Era, spanning cataloging, collation and interpretation, not only involves the collection and collation of multiple editions of literary texts but also delves into the interpretation and analysis of textual content. The study of editions and texts constitutes complementary approaches. This collaborative use of methodologies highlights the necessity and potential for studying literary editions in the New Era.