刘商《胡笳十八拍》与李唐《文姬归汉图》图文关系研究

伏俊琏, 郝雪丽

文艺理论研究 ›› 2023, Vol. 43 ›› Issue (5) : 1-10.

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文艺理论研究 ›› 2023, Vol. 43 ›› Issue (5) : 1-10.
中国特色社会主义文论话语体系研究·文学图像研究专题

刘商《胡笳十八拍》与李唐《文姬归汉图》图文关系研究

作者信息 +

A Study of the Relationship between Image and Text of Eighteen Stanzas on the Reed Pipe by Liu Shang and the Picture of Wenji's Return from Captivity by Li Tang

Author information +
文章历史 +

摘要

“文姬归汉”故事在文学、绘画领域为后世文艺作品间接或直接提供了创作素材与艺术灵感,涌现出了众多同一题材的作品。唐人刘商的《胡笳十八拍》与宋人李唐的《文姬归汉图》是“文姬归汉”故事在文学、绘画领域的代表作品,两个作品主题的形成,有着深刻的历史原因、社会原因和个人因素,是诗人和画家对于相同题材和主题的不同生命体验。比较文学与图像表现同一主题的现象,可以发现诗意可拓展画境,画境亦能再现诗意。

Abstract

In the fields of literature and painting, the story of Cai Wenji's return from captivity has provided creative materials and artistic inspiration for later literary and artistic creations, and numerous works on the same theme have been created. Eighteen Stanzas on the Reed Pipe by Liu Shang in the Tang dynasty and Picture of Wenji's Return from Captivity by Li Tang in the Song dynasty are the representations of this story. The formation of the themes in these two works is deeply influenced by historical factors, societal influences, and personal elements. They represent the distinct life experiences of the poet and the painter regarding the same subject and theme. Comparing the phenomenon of expressing the same theme through literature and visual representation, this article argues that poetry extends the boundaries of the picturesque scene, and the picturesque scene is also capable of recreating poetic sentiments.

关键词

胡笳十八拍 / 刘商 / 李唐 / 诗画比较

Key words

Eighteen Stanzas on the Reed Pipe / Liu Shang / Li Tang / comparison between poetry and painting

引用本文

导出引用
伏俊琏, 郝雪丽. 刘商《胡笳十八拍》与李唐《文姬归汉图》图文关系研究[J]. 文艺理论研究, 2023, 43(5): 1-10
A Study of the Relationship between Image and Text of Eighteen Stanzas on the Reed Pipe by Liu Shang and the Picture of Wenji's Return from Captivity by Li Tang[J]. Theoretical Studies in Literature and Art, 2023, 43(5): 1-10

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基金

国家社科基金重大项目“5—11世纪中国文学写本整理研究”[项目编号:16ZDA175]阶段性成果。

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