陈寅恪诗学中的两个世界和悲剧意识——以陈三立、陈寅恪父子诗学的渊源与比较为中心

潘静如

文艺理论研究 ›› 2016, Vol. 36 ›› Issue (3) : 209-216.

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文艺理论研究 ›› 2016, Vol. 36 ›› Issue (3) : 209-216.
古代文论与古代文学的理论研究

陈寅恪诗学中的两个世界和悲剧意识——以陈三立、陈寅恪父子诗学的渊源与比较为中心

  • 潘静如
作者信息 +

The Two Worlds and the Tragic Sense in Chen Yinque's Poetics

  • Pan Jingru
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文章历史 +

摘要

作为史学家的陈寅恪,生平创造了大量的充满隐喻和影射的诗歌。透过这些诗歌,一方面可以看到他与其父陈三立在诗学乃至精神、文化上的渊源,另一方面也可以看到在此基础上,他个人忧郁阴柔的性情、气质促使他晚年的诗歌构造了两个意象分明的世界:一个由花事、人事的代谢映照所构成,是为无常而永在的现实世界;另一个由天、人之间的对立图景所构成,指向超越的彼岸。这两个世界又都是与他个人的悲剧意识和悲剧命运相关联的。

Abstract

Chen Yinque was also a prolific poet, and his poems were full of metaphor and innuendo. Chen's poetry can be traced in spirit and culture back to his father Chen Sanli's influence, and also allows the reader to have a glimpse of his melancholic nature. These two strands of influence contribute to the two distinct worlds of images in his poetry, one pointing to the impermanent yet everlasting realistic world, and the other pointing to the other side of this world. The former world is composed of flowers and people and human affairs, while the latter is composed of the opposite visions between the heaven and the human, and both worlds are internally connected with his tragic sense and tragic fate.

关键词

陈寅恪
/ 陈三立 / 悲剧 / 碧海青天 / 再生缘

Key words

Chen Yinque
/ Chen Sanli / tragedy / green sea against blue sky; Rebirth

引用本文

导出引用
潘静如. 陈寅恪诗学中的两个世界和悲剧意识——以陈三立、陈寅恪父子诗学的渊源与比较为中心[J]. 文艺理论研究, 2016, 36(3): 209-216
Pan Jingru. The Two Worlds and the Tragic Sense in Chen Yinque's Poetics[J]. Theoretical Studies in Literature and Art, 2016, 36(3): 209-216

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