曹雪芹的文体学思想全面而系统,主要有四个方面:一是辨体与尊体。包括“必先度其体格宜与不宜”的辨“文各有体”,以及宝玉评鉴《桃花行》的辨“人各有体”。二是得体与失体。这组对立概念范畴的文体内蕴丰富,此外还继承了曹丕的文体理论并亲自实践之。三是破体与变体。也就是打破传统文体规范,这表现在《芙蓉女儿诔》等文体革新中。四是传统与俗套。曹雪芹提倡打破传统小说文体的写法规范,这种文体观在小说原文和脂评批语中,反复借不落俗套等相类之语道出。脂砚斋批语中的大量文体言论是对曹雪芹文体学思想的补充、印证和完善,具有很高的文体文献学价值。
Abstract
Cao Xueqin's idea of stylistics is systematic and can be understood in four main ways. The first is analyzing and complying with style. This shows in the two ways to differentiate the style of each literary work and each author. The second is appropriate and inappropriate style. This pair of concepts has rich implications and may be considered as a heritance from Cao Pi's theory of stylistics in the pre-Qin period. The third is the breaking and transforming of style, which shows in the stylistic innovation in such texts as "A Eulogy for the Lotus Girl." The fourth is the tradition and constraints of style. Cao Xueqin advocated a new writing norm that would break the traditional style of fictions, and this concept of stylistics had been repeatedly highlighted as unconventional in the Zhiyanzhai annotated version. The many annotations and comments on stylistics in the Zhiyanzhai version complemented and exemplified Cao Xueqin’s idea of stylistics.
关键词
辨体 /
破体 /
得体 /
曹雪芹 /
脂砚斋 /
文体学思想
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Key words
differentiation of style /
breaking of style /
appropriate style /
Cao Xueqin /
Zhiyanzhai /
idea of stylistics
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参考文献
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脚注
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基金
本文系国家社科基金一般项目“宋代文体学思想研究”(项目编号:11BZW021)、教育部人文社科基金一般项目“中国古代辨体理论批评研究”(项目编号:10YJA751059)的阶段性成果。
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