赫西俄德《神谱》的序歌歌咏了缪斯的家世与权能，暗含着对诗人的职分的赞颂。本文通过细致解读这首序歌，探讨了其中蕴含的古典诗学观念。本文从缪斯的家世说明了古典诗学的非创造论特质，继而从缪斯的三次歌唱揭示了赫西俄德对诗人与缪斯关系的变更，最后从赫西俄德对国王与歌手的描绘揭示了赫西俄德的诗人王身份，说明了诗人作为立法者的伟大职能。
Abstract
In the Proemium of Homogony, Hesiod distinctively extols the Muses, the lineage and the might of them as a hidden eulogy of the role of poets. This essay is a detailed reading of the proemium and an exploration into the classical poetics therein. Through an analysis of the lineage of the Muses, this essay shows the non-creative feature of classical poetics, then reveals the alternation Hesiod makes of the relationship between the poet and the Muses as in the three songs of the Muses, and finally,by interpreting Hesiod's depictions of kings and singers, demonstrates the role of Hesiod as a poet-king and legislator.
关键词
赫西俄德 /
《神谱》 /
序歌 /
缪斯
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Key words
Hesiod /
Theogony /
the proemium /
the Muses
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参考文献
引用作品 [Works Cited]
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---. The Archaeology of the Soul, Indiana: St. Augustine Press, 2011.
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[de la Combe, Pierre Judet. ed. Le Métier du mythe. Lectures d’Hésiod. Trans. Wu Yaling, Beijing: Huaxia Publishing House, 2004.]
Duban, Jeffrey M. “ Poets and Kings in the ‘Theogony’ Invocation.” Quaderni Urbinati di Cultura Classica 4 (1980):7-21.
Hesiod. Works and Days. ed. with prolegomena and commentary by M.L. West. Oxford: Clarendon Press, 1978.
Laird, Andrew, ed. Oxford Readings in Ancient Literary Criticism. Oxford: Oxford University Press, 2006.
刘小枫：《诗人的“权杖”》，见《古典诗文绎读•西学卷古代编（上）》，北京：华夏出版社，2008：41-50。
[Liu, Xiaofeng. “The Scepter of Poet.” Commentarii Versuum et Prosarum Antiquarum (I). Beijing: Huaxia Publishing House, 2008:41-50.]
Nagy, Gregory. Greek Mythology and Poetics. Ithaca: Cornell University Press,1992.
Stoddard, Kathryn B. “The Programmatic Message of the Kings and Singers Passage:Hesiod, Theogony 80-103.” Transactions of the American Philological Association 133.1 (2003):1-16.
Verdenius, W. J. “Notes on the Proem of Hesiod’s Theogony.” Mnemosyne 25 (1972): 225-260.
吴雅凌：《神谱笺释》，北京：华夏出版社，2010。
[Wu, Yaling. Hesiod Theogony: A Translation with Introduction and Commentary. Beijing: Huaxia Publishing House, 2010.]
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