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文艺理论研究

文艺理论研究 ›› 2016, Vol. 36 ›› Issue (5): 38-45.

• 专题：媒介文艺学研究 • 上一篇    下一篇

艾斯本·亚瑟斯超文本美学思想探析

聂春华   

  1. 广东第二师范学院
  • 出版日期:2016-09-25 发布日期:2017-09-30
  • 作者简介:聂春华，哲学博士，广东第二师范学院中文系教授，主要从事文艺学和美学基础理论研究。

Espen J. Aarseth's Thought on Hypertext Aesthetics

Nie Chunhua   

  1. Guangdong University of Education (Guangzhou 510310, China)
  • Online:2016-09-25 Published:2017-09-30
  • About author:Nie Chunhua is a professor at Guangdong University of Education (Guangzhou 510310, China). His research interests cover literary theory and aesthetics.

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摘要： 艾斯本·亚瑟斯对当今流行的超文本理论进行了深入的反思：他首先提出要区分超文本的结构和阅读，指出是超文本的非线性结构而不是其多线性阅读决定了超文本与传统文本的真正区别，从而澄清了超文本理论中的“非线性”和“多线性”之争；二是深入分析了超文本中的作者和读者的权力关系，对于“读者即作者”“去中心化”和“交互性”等流行的超文本口号提出了批评；三是基于超文本结构和阅读的划分，提出超文本是一种可以让读者在阅读过程中产生主观叙事感的非叙事性结构的超文本叙事思想。

关键词: 超文本美学, 非线性, 叙事

Abstract:

Espen J. Aarseth's reflections on popular theories about the hypertext have primarily led to his distinction between the structure and the reading of the hypertext, since, for him, it is the hypertext' nonlinearity rather than multi-linearity that determines the real differences between the hypertext and the traditional text. He analyzes the power relation between the author and the reader of the hypertext, and criticizes some popular claims about the hypertext such as "reader-as-writer", "de-centralization", and "interactivity". On the basis of the distinction of the structure and the reading of the hypertext, he poses that the hypertext is of non-narrative structure by which readers can obtain a subjective sense of narrative during reading.

Key words: hypertext aesthetics, nonlinearity, narrative