欢迎访问《文艺理论研究》,

文艺理论研究 ›› 2013, Vol. 33 ›› Issue (1): 19-26.

• 专题:中国文体学研究 • 上一篇    下一篇

《古赋辩体》与明代辨体批评

何诗海   

  1. 中山大学中文系
  • 出版日期:2013-01-25 发布日期:2013-02-20
  • 作者简介:何诗海,文学博士,中山大学中文系副教授,主要从事中国古代文体学研究。
  • 基金资助:

    本文为广东省社科项目(GD11CZW06)、教育部人文社科项目(12YJA751020)、国家社科基金项目 (12BZW044)、国家社科基金重大项目(10&ZD102)的部分成果。

Genre Criticism in Ming Dynasty and Zhu Yao's The Genre of Ancient Rhapsody

He Shihai   

  1. the Department of Chinese, Sun Yat-sen University (Guangzhou 510275, China)
  • Online:2013-01-25 Published:2013-02-20
  • About author:He Shihai, Ph.D., is an Associate Professor at the Department of Chinese, Sun Yat-sen University (Guangzhou 510275, China). His main academic interests focus on ancient Chinese stylistics.

摘要: 《古赋辩体》不仅是一部辞赋总集,更是一部体大思精的辨体批评著作。全书融赋选、赋史、赋论于一体,以古诗之义和吟咏性情为标准,以小序、题解为主要批评方式,构建了一个内容丰富、体例严整、富于理论价值和思辨色彩的辨体批评体系,对明代复古论者辨体意识的张扬,以及以总集、序题等方式展开辨体批评等风气,产生了直接而深刻的影响。

关键词: 祝尧, 《古赋辩体》, 明代, 辨体批评

Abstract: Zhu Yao's Gufu Bianti (The Genre of Ancient Rhapsody) is not only an important anthology of fu (rhymed prose, rhapsody) but also a comprehensive critical work on rhapsody. The anthology encompasses a selection of rhapsody texts and essays on the history and genre of rhapsody. It presents a systematic genre criticism which takes the six principles of poetry and exposition of personal sentiments as its criteria while taking prefatory notes and titular interpretation in ancient critical tradition as its approach, and its criticism is rich in content and logical in organization with valuable theoretical insights. The work has exerted a great influence on the principle and method of genre criticism in the Ming Dynasty.

Key words: Zhu Yao, Gufu Bianti (The Genre of Ancient Rhapsody), Ming Dynasty, genre criticism