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文艺理论研究 ›› 2017, Vol. 37 ›› Issue (2): 102-117.

• 西方文论与批评 • 上一篇    下一篇

新黑色电影《疯狂的石头》现象研究

徐海昕   

  1. 美国弗尔门大学东亚研究系
  • 出版日期:2017-03-25 发布日期:2017-11-11
  • 作者简介:徐海昕,美国弗尔门大学东亚研究系赫宁基金讲座教授,主要从事中国电影研究,著有《都市电影:中国近期电影中的城市主义》(2011),《胶片上的中国:电影的社会与文化探索》(2002),和《中国的轻飘生存:电影和戏剧的改编与话语造型》(1999)。

The Neo-noir Crazy Stone Phenomenon

Harry H. Kuoshu   

  1. Asian Studies and Film Studies at Furman University in the United States of America
  • Online:2017-03-25 Published:2017-11-11
  • About author:Harry H. Kuoshu is Herring Professor of Asian Studies and Film Studies at Furman University in the United States of America. He is the author of Metro Movies: Cinematic Urbanism in Post-Mao China (2011), Celluloid China: Cinematic Encounters with Culture and Society (2002) and Lightness of Being in China: Adaptation and Discursive Figuration in Cinema and Theater (1999). His academic interest is Chinese film studies.

摘要: 《疯狂的石头》现象常常被比喻为大众的黑色的狂欢,它所引发的电影与话语的狂潮使巴赫金的狂欢理论备受瞩目,也带来了更多对后现代主义与大众文化的关注。梳理疯狂在文化上的寓意和在近期电影制作上的传承,特别是狂潮电影和世界电影的连接。笔者注意到黑色电影的理念在这潮话语中的缺席,并由此将新黑色电影的概念引入讨论。相佐于黑色幽默,新黑色电影的相关概念更好地沟通了这潮话语中诸如大众,狂欢的视觉想象,电影的信息场,犬型的中西文化运用,虚无主义,犬儒主义等概念。

关键词: 《疯狂的石头》, 巴赫金, 狂欢, 黑色幽默, 新黑色电影

Abstract: The Crazy Stone phenomenon in China is often described as the black carnival of both the movie goers and the concerned scholars. The filmic and discursive enthusiasm for Crazy Stone has drawn much attention to the carnival theory by M. Bakhtin and the postmodern theoretical attention to mass culture. Surveying the cultural implications of craziness and how Crazy Stone connects with both the global as well as domestic film cultures, the author of this article observes the absence of such concepts as film noir and neo noir in this round of discussion and argues that Crazy Stone discourse and many of the Crazy Stone initiated films constitute an episode of global neo noir. Aided by black humor, neo noir better connects with many concepts frequently surfaced in the Crazy Stone discourse, such as mass culture, carnival as a communal patterning of visual imagination, mediascape for cultural communication through films, a cross-cultural usage of dog images, as well as cynicism.

Key words: Crazy Stone, Bakhtin, carnival, black humor, neo noir