欢迎访问《文艺理论研究》，
文艺理论研究

文艺理论研究 ›› 2013, Vol. 33 ›› Issue (1): 68-75.

• 现当代文论研究 • 上一篇    下一篇

实践美学的重要推进——略论刘纲纪先生的实践本体论美学

朱立元，章文颖   

  1. 复旦大学中文系
  • 出版日期:2013-01-25 发布日期:2013-02-20
  • 作者简介:朱立元，复旦大学中文系教授，博士生导师。研究方向主要为文艺学、美学，具体包括文艺理论和美学理论、西方美学、马克思主义文艺理论、中西比较文论和美学等。 章文颖，复旦大学中文系博士研究生。研究方向为文艺学、美学，主要包括西方美学理论、西方文艺理论和艺术理论等。

On Liu Gangji's Practical Ontological Aesthetics as an Advance of Practical Aesthetics

Zhu Liyuan, Zhang Wenying   

  1. Department of Chinese Language and Literature, Fudan University
  • Online:2013-01-25 Published:2013-02-20
  • About author:Zhu Liyuan is a professor at Department of Chinese Language and Literature, Fudan University. His academic research focuses on theory of literature and arts, aesthetics, with an emphasis on literary theory and aesthetics theory, Western aesthetics, Marxist literary theory, and comparative studies of aesthetics and literary theory. Zhang Wenying is a Ph.D. candidate in Department of Chinese Language and Literature, Fudan University. Her research interests cover aesthetics and literary theory, focusing on Western aesthetics, Western literary and art theory.

PDF (PC)

446

摘要： 上世纪80年代，刘纲纪先生在对机械、直观的唯物主义进行反思和批评的过程中提出和建构了实践本体论美学。他重新阐释了马克思主义实践观，把主客体共同参与的“实践”从认识论提到了本体论的高度，突破了主客二分的思维模式，超越了迄今仍然被某些学者坚持的未脱离旧唯物主义窠臼的物质本体论，不但对马克思主义实践美学具有重大的推进作用，而且对整个中国当代美学的建设和发展有着重要的意义。

关键词: 实践本体论, 刘纲纪, 美学, 马克思主义, 物质本体论

Abstract: In 1980s, Liu Gangji put forward and established practical ontological aesthetics as a result of reflection and critique of mechanistic and perceptual materialism. He re-interpreted the Marxist view of practice as that which is participated by both the subject and the object, and elevated practice from epistemological level to ontological level. In this way, his conceptualization surpassed the dichotomy between subject and object and transcended the material ontology in the track of old materialism which to this day is still followed by some scholars. Liu Gang Ji's concept of practice not only initiated an advance in Marxist aesthetics of practicum but also played an important role in the establishment and development of contemporary Chinese aesthetics.

Key words: practical ontology, Liu Gangji, aesthetics, Marxism, material ontology