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文艺理论研究

文艺理论研究 ›› 2023, Vol. 43 ›› Issue (4): 31-39.

• 专题：文学史研究 • 上一篇    下一篇

论林庚文学史书写的审美特征

  

  1. 刘松来，文学硕士，江西师范大学当代形态文艺学研究中心教授; 高翠元，江西师范大学文学院古代文学博士生
  • 出版日期:2023-09-21 发布日期:2023-09-23
  • 基金资助:
    本文系江西省社会科学规划项目“审美超越与文学史理论的当代创新研究”［项目编号：18WX09］阶段性成果。

 On the Aesthetic Characteristics of Lin Geng's Literary History Writing

  1.  Liu Songlai, in the Research Center for Contemporary Forms of Literature and Art, Jiangxi Normal University;   Gao Cuiyuan,  in the School of Chinese Language and Literature, Jiangxi Normal University.
  • Online:2023-09-21 Published:2023-09-23
  • Supported by:
    This article is supported by the Social Sciences Planning Project of Jiangxi Province (18WX09).

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摘要： 百余年的中国文学史书写过于重视知识性与科学性，审美书写则稍显不足。林庚的文学史书写可谓独树一帜，其最大的特点就在于注重文学的审美特性，对文学作品的艺术魅力有着独到的阐发。林庚的文学史书写建立在他的人生论美学基础之上，体现了他对审美超越的深刻认识，同时还展现了他对文学语言形式的高度重视。林庚的文学史著作为中国文学史的审美书写提供了一种可资借鉴的有益范式。

关键词: 林庚； , 文学史书写； , 审美特征

Abstract: Chinese literary history has been dominated by an excessive emphasis on knowledge and scientism, with comparatively little attention given to aesthetics. However, Lin Geng's literary history stands out due to its remarkable focus on the aesthetic aspects of literature and its unique interpretation of the artistic appeal of literary works. Lin Geng's approach to literary history writing is rooted in his aesthetic theory of life, which demonstrates his profound understanding of aesthetic transcendence and underscores his recognition of the significance of the linguistic form in literature. As such, Lin Geng's literary history writings serve as a useful model for the incorporation of aesthetics into Chinese literary historigraphy.

Key words: Lin Geng; , literary history writing; , aesthetic characteristics