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文艺理论研究

文艺理论研究 ›› 2023, Vol. 43 ›› Issue (3): 1-14.

• 中国特色社会主义文论话语体系 •    下一篇

强化批评精神，增强使命感——关于建构中国形态文艺评论的一点思考

范玉刚   

  1. 山东大学文艺美学研究中心

  • 出版日期:2023-05-25 发布日期:2023-06-09
  • 作者简介:范玉刚，文学博士，山东大学文艺美学研究中心特聘教授，主要从事文艺学美学和文化研究。
  • 基金资助:

    本文系国家社会科学基金重大项目“习近平总书记关于文艺工作重要论述与新时代中国文艺理论学术体系建构研究”[项目编号：18ZD006]的阶段性成果。

Strengthening the Spirit of Criticism and Enhancing the Sense of Mission: On Constructing the Chinese Form of Literary and Artistic Criticism

Fan Yugang   

  1. Center for Literary Theory and Aesthetics of Shandong University

  • Online:2023-05-25 Published:2023-06-09
  • About author:Fan Yugang, Ph.D., is a distinguished professor at the Center for Literary Theory and Aesthetics of Shandong University. His research interests include literary theory, aesthetics and cultural studies.
  • Supported by:

    This article is supported by the Major Project of National Social Sciences Fund (18ZD006).

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摘要：

新时代新征程是当代中国文艺的历史方位，文艺评论必须深刻把握当下所处的历史新方位，增强文艺发展的时代感、树立大历史观，引导文艺创作全方位全景式展现新时代的精神气象。当下，文艺发展日益进入泛娱乐大文创和人民追求精神生活共同富裕的时代，必然要求文艺精品不断涌现，使人民有更多的文化获得感，这使得坚持什么样的文艺观的问题凸显，建构中国形态的文艺评论变得极为紧迫。所谓中国形态的文艺评论是在坚定文化自信自强的中国式现代化视域下，立足中国文艺实践和大众审美经验特别是艺术创新实际，经由弘扬文艺批评的主体性、强化批评精神和增强使命感，以中国自身文艺发展和大众审美自觉为目的，创造既面向文艺现实和大众审美经验又引领文艺创作和文艺消费的评论话语，在加强交流对话和走向世界舞台，寻求人类文明普遍价值的过程中，讲好中国文艺评论的故事，提升中国文艺在全球化舞台上的位态，不断丰富文艺创作创造与文艺理论创新创意之间的接合功能，使之成为以中国理论有效阐释中国实践的生动体现。

关键词:

font-family:Calibri, font-size:10.5pt, "> font-size:10.5pt, ">文艺评论">；font-size:10.5pt, ">批评精神">；font-size:10.5pt, ">评论家的任务">；font-size:10.5pt, ">使命感">；font-size:10.5pt, ">虚灵的真实">；font-size:10.5pt, ">中国形态font-size:10.5pt, ">

Abstract: The historical orientation of contemporary Chinese literature and art embarks a new journey in the new era. Literary and artistic criticism must deeply grasp the new historical orientation, enhance the sense of the times, establish a broad historical perspective, and guide the creation of literature and art to show the spiritual zeitgeist of the new era in a comprehensive and panoramic way. At present, the development of literature and art increasingly embraces an era of pan-entertainment, great cultural creativity, and the people's pursuit of spiritual prosperity, which inevitably requires the continuous creation of literature and art to give the people a greater sense of cultural access. Within the context of Chinese modernization with firm cultural self-confidence and self-improvement, the so-called “Chinese form” of literary and artistic criticism should base on Chinese literary and artistic practices and public aesthetic experience, especially artistic innovation. Its aim is to promote the subjectivity of literary and artistic criticism by strengthening the spirit of criticism, enhancing the sense of mission, and relying on China's own development in literature and art. Chinese literary and artistic criticism should tell Chinese stories to enhance the status of Chinese literature and art on the world stage, and constantly enrich the function of the interface between the original creation of literature and art, and innovation and creativity in literature and art theory, making it a vivid embodiment of effective interpretation.

Key words: literary and artistic criticism; , critical spirit; , the crists' task; , sense of mission; , ethereal truth; , Chinese form