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文艺理论研究 ›› 2017, Vol. 37 ›› Issue (2): 162-172.

• 美学与文化研究 • 上一篇    下一篇

生死之谜及其在瓶画上的面容:对前苏格拉底宇宙论美学核心问题的一种解读

汪顺宁   

  1. 上海财经大学人文学院哲学系西方哲学教研室
  • 出版日期:2017-03-25 发布日期:2017-11-11
  • 作者简介:汪顺宁,博士,副教授,上海财经大学人文学院哲学系西方哲学教研室(上海,200433)。主要研究领域为西方美学。

The Riddle of Life and Death and Its Appearance on Vase Paintings: An Interpretation of the Essential Theme of the Pre-Socratic Cosmological Aesthetics

Wang Shunning   

  1. the Philosophy Department at Shanghai University of Finance and Economics (Shanghai 200433, China)
  • Online:2017-03-25 Published:2017-11-11
  • About author:Wang Shunning, Ph.D, is an associate professor in the Philosophy Department at Shanghai University of Finance and Economics (Shanghai 200433, China). Her main research interest is Western aesthetics.

摘要: 前苏格拉底宇宙论美学的核心问题乃是对生死之谜的思索,这使得前苏格拉底思想一开始便非自然探索,而是生命追问。这种追问并非缘起于赫西俄德与荷马的文字之中,而是孕育在黑暗时期带饰陶器与瓶画的原型几何与几何时期的创作之中。

关键词: 前苏格拉底, 宇宙论美学, 瓶画, 原型几何时期, 几何时期

Abstract: The essential theme of Pre-Socratic cosmological aesthetics is the riddle of life and death. It shows that from the very beginning Pre-Socratic thoughts were not about the exploration into nature, but about life and death. Such a concern was conceived in Proto-Geometric and Geometric decorated pottery in the Dark ages, rather than derived from the writings of Hesiod and Homer.

Key words: Pre-Socratics, cosmological aesthetics, vase painting, Proto-geometric period, Geometric period