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文艺理论研究

文艺理论研究 ›› 2017, Vol. 37 ›› Issue (2): 155-161.

• 美学与文化研究 • 上一篇    下一篇

文化创伤操演与创伤话语建构

王建会   

  1. 沈阳师范大学外国语学院
  • 出版日期:2017-03-25 发布日期:2017-11-11
  • 作者简介:王建会，博士，沈阳师范大学外国语学院教授，主要研究兴趣为西方文论、美国族裔文学。

The Performativity of Cultural Trauma and the Construction of Trauma Discourse

Wang Jianhui   

  1. the School of Foreign Languages, Shenyang Normal University (Shenyang 110034, China)
  • Online:2017-03-25 Published:2017-11-11
  • About author:Wang Jianhui, Ph.D., is a professor at the School of Foreign Languages, Shenyang Normal University (Shenyang 110034, China), with academic interests in western literary theory and ethnic American literature.

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摘要： 作为文学理论，创伤理论和操演理论之间存在着内在的关联性：操演是创伤表征的过程；创伤成为操演的对象。创伤并非先天就有，而是后天形成的。对文化创伤的操演是建构创伤话语的途径。本文对文化创伤操演和创伤话语建构的探索与研究，其目的是对所研究的文学理论及批评范式进行理论上的梳理与论证。

关键词: 文化创伤, 创伤叙事, 创伤话语, 记忆, 操演, 建构

Abstract:  As literary theories, the trauma theory and the performativity theory are interrelated in that performativity is the process of trauma representation and trauma is the object of performativity. Trauma does not preexist, but becomes one. The performativity of cultural trauma is the means by which trauma discourse is constructed. Through an exploration of the performativity of cultural trauma and of the construction of trauma discourse, this article sorts out and examines the two literary theories in question and their critical paradigms.

Key words: cultural trauma, trauma narrative, trauma discourse, memory, performativity, construction