欢迎访问《文艺理论研究》，
文艺理论研究

文艺理论研究 ›› 2016, Vol. 36 ›› Issue (1): 177-182.

• 西方文论与美学研究 • 上一篇    下一篇

审美图式论——试论康德图式概念的美学意义

苏宏斌
  

  1. 浙江大学
  • 出版日期:2016-01-25 发布日期:2017-09-22
  • 作者简介:苏宏斌，浙江大学文艺学研究所教授，博士生导师，主要从事文学理论和美学研究。

On the Aesthetic Significance of Kant's Concept of Schema

Su Hongbin   

  1. Zhejiang University (Hangzhou 310028, China)
  • Online:2016-01-25 Published:2017-09-22
  • About author:Su Hongbin is a professor in Zhejiang University (Hangzhou 310028, China), with main research interests in literary theory and aesthetics.

PDF (PC)

202

摘要： 图式是康德哲学的一个重要概念，但康德只将其局限在认识论领域。本文认为，图式同样也是一个重要的美学概念，因为图式尽管是一种普遍之物，但却是通过直观活动被把握到的，因此它必然具有一定的审美价值。除了直接作为审美对象之外，图式在大多数时候是作为艺术形象的来源，间接地参与到审美活动之中。认知图式和审美图式的同质性，表明认识活动与审美活动具有同源性。

关键词: 图式, 想象力, 本质直观

Abstract: Schema is an important concept in Kant's philosophy, but Kant delimited it to the territory of epistemology. This paper argues that schema is also an important aesthetic concept. Schema is grasped through intuitive activities, and it follows that schema has certain aesthetic value. Schema is an object of aesthetic activity, but most often it also participates indirectly in aesthetic activities as the source of artistic images. The homogeneity between cognitive schema and aesthetic schema shows the homology of cognitive activities and aesthetic activities.

Key words: schema, imagination, essential intuition