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文艺理论研究 ›› 2016, Vol. 36 ›› Issue (1): 45-52.

• 现当代文论与批评 • 上一篇    下一篇

文学如何书写消费

王昌忠
  

  1. 湖州师范学院文学院
  • 出版日期:2016-01-25 发布日期:2017-09-22
  • 作者简介:王昌忠,湖州师范学院文学院教授,主要从事中国现当代文学研究。
  • 基金资助:
    本文系浙江省2015年哲学社会科学规划课题“20世纪90年代以来中国消费文化的文学书写批判”[项目编号:15NDJC049YB]、湖州师范学院2013年人文社科预研究项目“20世纪中国文学消费书写”[项目编号:2013SKYY10]阶段性成果。

How Consumer Phenomenon Enters Literary Writing

Wang Changzhong   

  1. the College of Humanities, Huzhou Normal college (Huzhou 313000, China)
  • Online:2016-01-25 Published:2017-09-22
  • About author:Wang Changzhong is a professor in the College of Humanities, Huzhou Normal college (Huzhou 313000, China), with research interests in modern Chinese literary studies.

摘要: 消费是文学书写中具有普遍性、广泛性的内容对象。文学书写消费,在反映、揭示和造就、传播消费文化的同时,自身也汇入了消费文化体系而成为其有机构成。在本质上,文学书写消费是文学话语而不是消费文化话语。文学书写消费具有显著的话语性状:普遍、广泛的存在容量,局部、片段的存在样态,渗透、穿插的存在机制。关联于上述价值功能、本质属性、话语性状,文学书写消费的技艺策略集中体现在叙述时间、叙述距离、叙述投影和叙述声音等方面。

关键词: 消费文化, 文学本质, 话语性状, 话语策略

Abstract: Representation of consumer culture is universal in literary writing and consumption has contributed an extensive content for literary works. When writing about consumer culture, literary production becomes an integral part of the culture. The paper argues that the consumption of literary writing implies an essentially literary discourse instead of consumer culture discourse. Literary writing about consumption shows distinctive characteristics of discursive presence: common and widespread capacity, localized and fragmented modality, and penetrative and interspersed mechanism. In view of the features such as the value, attributes, discursive features, it may be argued that the narrative strategies in literary writing about consumer culture shows in such aspects as time, distance, voice and projection in the narrative.

Key words: consumer culture, literary nature, features of discourse, discursive strategy