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文艺理论研究

文艺理论研究 ›› 2015, Vol. 35 ›› Issue (2): 32-40.

• 古代文论与古代文学的理论研究 • 上一篇    下一篇

论《诗薮》对《日本诗史》的影响

胡欣, 严明   

  1. 上海师范大学人文与传播学院
  • 出版日期:2015-03-25 发布日期:2015-06-17
  • 作者简介:胡欣，上海师范大学人文与传播学院博士研究生，主要从事古代文学研究。 严明，上海师范大学人文与传播学院教授，博士生导师，主要从事明清文学及东亚汉诗学研究。
  • 基金资助:

    本文为国家哲学社会科学重点规划项目“东亚汉诗史初稿”[项目编号：14AZW007]、上海市哲学社会科学规划项目“东亚汉诗学新论”[项目编号：2013BWY005]中期成果。

The Influence of Hu Yinglin's Shi Sou on Emura Hokkai's History of Japanese Poetry

Hu Xin, Yan Ming   

  1. the College of Humanities and Communication, Shanghai Normal University (Shanghai 200234, China)
  • Online:2015-03-25 Published:2015-06-17
  • About author:Hu Xin is a Ph.D. student in the College of Humanities and Communication, Shanghai Normal University (Shanghai 200234, China), with research focus on classical Chinese literature. Yan Ming is a professor in the College of Humanities and Communication, Shanghai Normal University (Shanghai 200234, China), with research interests covering literature in the Ming and Qing Dynasties and East Asian Chinese poetry studies.

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摘要： 日本江户中期江村北海的《日本诗史》深受明代胡应麟《诗薮》的影响。形式上，在继承《诗薮》以诗话体记载诗史的基础上，《日本诗史》又融入史传的体例。内容上，江村北海发展了胡应麟“气运”说，提出了“世道”说，并指出“气运”是日本汉诗承接中土传统并另辟蹊径的根本原因，而“世道”则是日本汉诗得以独具本国特色的基因土壤。在诗歌审美方面，江村北海将胡应麟“格调声律、兴象风神”与本国“哀”审美观念融于一体，提出了格律声调、风雅并重的评诗标准。可以说，《诗薮》为江村北海撰写《日本诗史》提供了诗学基础及写作范式。

关键词: 《诗薮》, 《日本诗史》, “气运”说, 比较汉诗学, 诗歌审美

Abstract: When writing The History of Japanese Poetry, the Mid-Edo Japanese scholar Emura Hokkai (1707-1782) was deeply influenced by Shi Sou (An Anthology of Poetry) compiled by Chinese Ming-Dynasty scholar Hu Yingling's (1551-1602). In compiling method, Emura's History of Japanese Poetry was written in the way that integrated narration of history through poetry commentaries with biographical history. In thematic treatment, Emura developed Hu's concept of "qi yun" (spirit-mores) and proposed the concept of "shi dao" (generation-way), claiming that Hu's concept of "qi yun" was inherited by the Japanese and became the fundamental reason for the Japanese to develop its own poetics that grounded in "shi dao". In terms of poetic aesthetics, Emura integrated Hu's idea that tonal pattern and rhyme scheme represent the spirit with Japanese aesthetic concept of "aware (哀れ)" and proposed his criteria of poetic criticism. In conclusion, Hu Yinglin's Shi Sou provided a norm for Emura Hokkai to write The History of Japanese Poetry.

Key words: Shi Sou (An Anthology of Poetry), The History of Japanese Poetry, the concept of "qi yun (spirit-mores)", comparative Chinese poetics, poetic aesthetics