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文艺理论研究

文艺理论研究 ›› 2022, Vol. 42 ›› Issue (3): 100-109.

• 专题：比较文学与外国文学 • 上一篇    下一篇

含蓄还是比兴？——朱利安“间接书写”传统的再考察与校正

蒋向艳   

  1. 华东师范大学国际汉语文化学院

  • 出版日期:2022-05-25 发布日期:2022-06-27
  • 作者简介:蒋向艳，比较文学与世界文学博士，华东师范大学国际汉语文化学院副教授，主要从事比较文学、中法文学关系及法国汉学研究。
  • 基金资助:

    本文为国家社科一般项目“《诗经》在法英美汉学界的接受研究”[课题批准号：21BWW024]的阶段性研究成果。

Allusivity or Explicit-Implicit Comparison: A Critical Review of the Tradition of François Jullien’s Indirect Writing

Jiang Xiangyan   

  1. School of International Chinese Studies, East China Normal University

  • Online:2022-05-25 Published:2022-06-27
  • About author: Jiang Xiangyan, Ph. D. in Comparative Literature and World Literature, is an associate professor in the School of International Chinese Studies, East China Normal University. Her research interests include comparative literature studies, Sino-French literary relations studies and French sinological studies.
  • Supported by:

    This article is supported by National Office for Philosophy and Social Science (21BWW024).

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摘要：

法国哲学汉学家朱利安指出，中西都存在“间接书写”的诗学传统。在中国，源自《诗经》的比兴传统引致间接的情感表达，和“风”“味”“象外”等其他中国诗学的原创性范畴共同构建了“含蓄”的中国文学传统，与体现西方“间接书写”传统的象征相对应，突显了中西诗学传统的异质性。但事实上，“间接书写”在汉语里的意义对等词是“婉言”，而形成汉语文学婉言性的根源、方法和内容的是比兴尤其是兴。故比兴和象征方为中西之间平行对照的两个原创性诗学范畴，通过这两者中西诗学话语有可能实现“对话”。

关键词:

含蓄, 比兴, 象征, 间接书写, 朱利安

Abstract:

François Jullien suggests that the tradition of indirect writing (l’écriture indirecte) exists both in China and the West. In China, the tradition of Bi-Xing (explicit comparison and implicit comparision) originated from The Book of Songs forms the indirect way of expressing emotion in poetry. Such way of expression combined with other original categories of Chinese poetics contributes to the “alterity” of the Chinese literary tradition by creating an “allusivity” in the text. Its Western counterpart is found in symbolism, which nevertheless showcases the heterogeneity between traditional Chinese and Western poetics. Chinese lexical equivalent to “indirect writing” is wanyan (indirect words), a concept rooted in the tradition of Bi-Xing, especially Xing. This essay proposes that Bi-Xing and symbolism are two original parallel concepts in Chinese and Western poetic traditions, between which a Sino-Western dialogue on poetic discourses is made possible.

Key words:

hanxu (allusivity),  bi-xing (explicit-implicit comparison),  symbolism,  indirect writing,  Fran?ois Jullien