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文艺理论研究 ›› 2016, Vol. 36 ›› Issue (6): 27-36.

• 现当代文论与批评 • 上一篇    下一篇

女性的凝视:对央视86版《西游记》的一个拉康主义分析

吴冠军   

  1. 华东师范大学政治学系
  • 出版日期:2016-11-25 发布日期:2017-09-30
  • 作者简介:吴冠军,华东师范大学政治学系教授、博士生导师,主要研究方向为政治哲学与精神分析。
  • 基金资助:
    本文为国家社会科学基金项目“当代激进左翼政治哲学研究” [项目编号:13CZX059]。

A Feminine Gaze: A Lacanian Analysis of the TV Series Journey to the West

Wu Guanjun   

  1. Politics at East China Normal University (Shanghai 200241, China)
  • Online:2016-11-25 Published:2017-09-30
  • About author:Wu Guanjun is a professor of politics at East China Normal University (Shanghai 200241, China). His research interests include political philosophy and psychoanalysis.

摘要: 首播于30年前的央视86版《西游记》,是一部当之无愧的创基性作品。作为对文学经典著作《西游记》的一个“忠于原著、慎于翻新”的“再制”,该作品实质性地构成了原著的一个症状性的溢出。通过由导演杨洁本人所奠基的“女儿情”,原著以唐三藏为中心的“男根中心主义”视角,被革命性地更换成“女国国王”这个女性视角。而整个剧集最末“取经”归来的唐三藏,仍然未能摆脱女性凝视所投下的深渊性烙印;而这对于拉康,便意味着从法律到爱这一激进通道的打开。

关键词: 86版《西游记》, 拉康, 症状, 变态, 凝视

Abstract: The TV series Journey to the West, first shown on China Central Television in 1986, is undoubtedly a seminal work in the history of Chinese television. As a TV remake of the classical Chinese novel bearing the same title, this work, following the principle of "faithfulness", substantively makes itself a symptomatic excess to the original novel. Through the "feminine affection" depicted by the general director Yang Jie, the original novel's phallocentric perspective is replaced in a revolutionary way by a feminine perspective of the Queen of the "Feminine Kingdom". In the end of the TV remake when Tripitaka has "completed" the journey to the West, he nonetheless is still haunted by the abyssal gaze from the Queen, which, for Lacan, means the opening-up of a radical passage from law to love.

Key words: Journey to the West, Lacan, symptom, perversion gaze